Die geliebten Schwestern (2014)

Die geliebten Schwestern (2014)

Hannah HerzsprungFlorian StetterHenriette ConfuriusClaudia Messner
Dominik Graf


Die geliebten Schwestern (2014) is a German,French movie. Dominik Graf has directed this movie. Hannah Herzsprung,Florian Stetter,Henriette Confurius,Claudia Messner are the starring of this movie. It was released in 2014. Die geliebten Schwestern (2014) is considered one of the best Drama,History,Romance movie in India and around the world.

The aristocratic sisters Charlotte and Caroline both fall in love with the controversial young writer and hothead Friedrich Schiller. Defying the conventions of their time, the sisters decide to share their love with Schiller. What begins playfully, almost as a game among the three of them, soon turns serious as it leads to the end of a pact.


Die geliebten Schwestern (2014) Reviews

  • ´╗┐trivial tapestry


    (note: I watched the short version, about 140 minutes, of this film) Beautiful landscapes, beautiful interiors with subtle natural lighting, beautiful actors and some beautiful moments don't save this film from being a serious disappointment that may be tolerable on a TV screen, but certainly not on a cinema screen. Allegedly this is a story about passion, and early on in the film there is a promising moment when Schiller, soaking wet and half-frozen after rescuing a child out of a stream, is warmed up by the sisters clinging to his body; this was quite erotic, but sadly it remained the only erotic moment in the whole film. The director's approach to sensuality and passion here is much too buttoned up; the result is bland and soporific. You can't have women like Herzsprung and Confurius in such a film and never have them undress; this is simply inexcusable. I won't talk about the score here; the music is so irrelevant that it doesn't even affect the film negatively. I'd like to talk about scenes: Usually, a film, be it a Hollywood film or an art film, is made of scenes; a succession of scenes, with each individual scene having a beginning, an ending, a development in between, and a relation to the preceding and to the following scenes. Dominik Graf obviously doesn't believe in scenes. Take, for example, the beginning of his film: First shot is a close-up of Confurius sitting in a coach. I expected that I would get to know this character now and that I would be guided into the world of the film. Well, I was wrong. Suddenly an ugly voice-over starts explaining who this girl is and what she is about to do. Then we cut to something else. So what about the opening scene? There simply is no opening scene! This is terrible. Imagine a writer writing a novel and not even getting his first sentence right. The editing is terrible throughout. I remember at one point there is a cut to a wide shot of a street, and about half a second later there is another cut away to something else before we even had time to appreciate what is going on in this street. Terrible. However, the general problem concerning the editing is not that it is too fast, but (and I don't know if the writer/director or the editor is to blame for it) that the editor was incapable of giving the story a compelling structure, a recognizable rhythm. Instead of a succession of meaningful scenes we get an erratic tapestry of meaningless pretty shots, and even if these shots group themselves to a kind of individual scene from time to time, there is no weight behind it, no sense that this scene had to start at exactly this point and had to end at exactly that point. In contrast to the sad mess that "Die geliebten Schwestern" is, you may want to have a look at Kubrick's "Lolita" (there may be many other good examples, but this film comes to my mind right now as a benchmark for masterful writing): Instead of trying to cram as many scenes of Nabokov's novel as possible into the screenplay, they wrote mainly long or very long unforgettable scenes, that give the actors time to breathe and to unfold. Bottom line: If you love the art of filmmaking and wan't to spare yourself some serious frustration, I don't recommend this one.

  • Disappointing, gives a bad name to German cinema


    "Die geliebten Schwestern" or "Beloved Sisters" was written and directed by Dominik Graf, a man in his 60s with a long career in TV and film industry who has worked with pretty much every big German name in terms of acting. Recently, he was responsible for the very much lauded German TV series "Im Angesicht des Verbrechens". The three lead actors in "Beloved Sisters" come from Henriette Confurius as Charlotte von Lengefeld, Hannah Herzsprung as Caroline von Lengefeld and Florian Stetter as famous poet Friedrich Schiller. It is basically all about their triangle relationship and the other men and women in their (love) lives. The result is like a huge colorful and beautifully decorated package with a sparkling twisted bow. And without anything inside. The costumes and art directions/set decorations are all fine as far as I can be a judge of that, but that is pretty much it. The acting is forgettable, sometimes cringeworthy. The writing is shoddy from start to finish. One example: Of course the husband to the older sister had to come the very moment she was in bed with Schiller. This film is the epitome of a mediocre period piece with no memorable features at all. Confurius and Stetter did not have a single scene that wowed me and Herzsprung was the negative standout, just like in her previous schmaltzy romance movie "Der Geschmack von Apfelkernen". I really wonder what the German Film academy was thinking when they chose this movie as the official German submission to the 2015 Academy Awards. Now this stands in line with "The Lives of Others", "The White Ribbon", "When We Leave" and, most recently, "Two Lives"? Pretty ridiculous. I am fairly certain there are 25-30 better German movies this year and looking at the shortlist ambitious projects such as Edgar Reitz' newest "Heimat" movie or "Wolfskinder" are just another league completely in terms of quality. "Beloved Sisters" is the epitome of shallow and superficial and would even be a disappointment for a movie shown on German television at 8:15 pm. Another weakness I found with the movie was the narration (coming from director Graf himself), which added nothing really. Those scenes where the protagonists were speaking with the camera (i.e. the audience) felt completely out of place and truly hurt the movie as they were thrown in so randomly and their monologues were utterly pretentious. So were the overblown dialogs. Yes people were speaking differently at that point in time, but not like that. The movie takes itself far more seriously than it has any justification to do so. I can't even call the film a guilty pleasure as the intrigues between the sisters themselves and Charlotte von Kalb for example were simply not interesting enough to keep the audience glued to the screen, especially for a film that crosses the two-hour mark considerably. still, if you liked this, let me recommend you another recent German period piece "Young Goethe in Love", which is not a masterpiece either, but clearly superior to "Die geliebten Schwestern". I hope there will soon be a film that does Schiller's art justice as this piece of tripe certainly does not. However, in order to end the review on a more positive note, I would like to say that Claudia Messner, who played the mother of the two girls, gave a good performance and stole all of her scenes, really the only positive highlight here. Still her role is not big enough to make up for everything else that is wrong with this very flawed film and I certainly would not recommend watching it.

  • Gorgeous drama


    I saw this at the CPH PIX film festival in Copenhagen, and was very impressed. Although much of the story that is shown is speculative, it appears to be highly qualified speculation. Whether it reflects historical reality or not, it worked exceedingly well as an epic cinema drama. As the title says, "The Beloved Sisters" is about the two sisters who loved Friedrich Schiller. Schiller himself is a kind of supporting character, as seen through the eyes of the sisters. The actresses who play the sisters are very good indeed, esp. the older one (Caroline), and it is expertly illustrated how they actually love each other more than they love Schiller. Highlights include the scene where the sisters sit by Schiller's sickbed in the dark, and (as I interpret it) he can't tell them apart, and the reconciliation scene towards the end where Schiller stands between the sisters, and then discreetly moves away, allowing them to reconnect. Very powerful stuff. I enjoyed this 171 minute movie immensely and can't wait to watch it again. Definitely one of the best experiences at the film festival. My rating: 9 stars out of 10.

  • Extremely slow and long and lacks


    SO disappointed in this film. I had high hopes. I saw this film (the almost 3 hour version) at a recent film festival in Los Angeles. The editing was terrible and choppy. The use of zoom-in's was odd as the feel of the story did not support such a harsh visual choice. As other reviewers have mentioned, this film looks beautiful: the sets are amazingly detailed, the costumes and the lighting are perfect for the time period but the film is VERY SLOW in its telling of the story. I'm left wondering what was the point of showing the sister's mother's carriage breaking down? No plot point here. I would like the 3 hours of my life back but instead I will write this review. Lots of editing needed and then the film may be acceptable as a TV movie, not Germany's submission as a contender for the foreign film Oscar. Germany can do better than this.

  • Beloved Sisters in a Love Triangle


    This is a very intellectual, very complex movie. I had expected a movie more focused on Schiller's relationship with Goethe since they are such giants in German literature and history, but the movie focuses on the 3 way loving relationship between Schiller, his wife and his sister in law. I left the movie wondering how much of the movie was fact and how much was conjecture. The expert opinion is that the events in the movie could have happened, and many of them likely did. All of the historical context is correct. It is also a fact that Schiller's sister in law wrote Shiller's biography, which would confirm the deep feelings between Schiller and his sister in law that is portrayed in the movie. Highly recommended.


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