Mao's Last Dancer (2009)

Mao's Last Dancer (2009)

GENRESBiography,Drama,Music,Romance
LANGEnglish,Mandarin
ACTOR
Chi CaoBruce GreenwoodKyle MacLachlanPenne Hackforth-Jones
DIRECTOR
Bruce Beresford

SYNOPSICS

Mao's Last Dancer (2009) is a English,Mandarin movie. Bruce Beresford has directed this movie. Chi Cao,Bruce Greenwood,Kyle MacLachlan,Penne Hackforth-Jones are the starring of this movie. It was released in 2009. Mao's Last Dancer (2009) is considered one of the best Biography,Drama,Music,Romance movie in India and around the world.

A drama based on the autobiography by Li Cunxin. At the age of 11, Li was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he fell in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet.

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Mao's Last Dancer (2009) Reviews

  • A moving tale that captures the beauty and inspiration of a man forced to make extraordinary decisions

    ChrisThurston2009-10-04

    Mao's last Dancer tells the true story of Chinese ballet dancer Li Cunxin who grew up in rural poverty in Mao's communist before being given the opportunity to dance in the West in the early 80s. Li is forced to examine his conscience as he must choose between his career, family, culture, politics and love whilst having to make heart-wrenching decisions of what he must choose to sacrifice and what he must choose to save. Li Cunxin is played magnificently by Chi Cao (as an adult) as well as Chengwu Guo (as a teenager). Chi Cao, a highly recognised ballerino in his own right, must receive the bulk of the accolades for what is truly a seamless breakthrough performance by a first time actor. The rest of the cast are also fantastic including Bruce Greenwood who plays the difficult and complex part of a slightly camp Ballet Director who must confront his own values. Kyle MacLachlan ("Sex and the City") takes a relatively brief but delightfully forceful turn as a Houston lawyer and Australians will delight in the cameo by the ever wonderful Jack Thompson. As an Australian production I was extraordinarily proud. Bruce Beresford has produced arguably his finest picture to date (and yes, I've seen "Driving Miss Daisy") as the pacing, musical score, use of ballet on camera and story structure were all pitch perfect. The film jumps around between 80s USA and Li's Chinese upbringing at the beginning before settling into a groove during the middle and end. And just when the film could be in danger of straining it's audience Beresford delivers moments of levity and humour that remind us of the characters' humanity. The backdrop of politics against which the film plays is neither ignored nor focused on. Had it gone one way or the other, the film wouldn't have worked nearly so well but Beresford dealt with this delicate theme with such craftsmanship that it never becomes an issue for the audience. Jan Sardi (who also wrote Shine and the Notebook) has also produced a highly commendable script for what must have been a daunting project - given the success of the book the movie is based on. At 132 minutes, the film is long and this can be felt slightly in the middle. However, the fault is only minor and I defy any viewer to watch this without being moved by Li's story. Many who have read Li's memoirs (as I have) will be anxious to know whether the movie does the book justice. I'm overjoyed to say that it does. I openly wept several times in the film as did most of the audience members around me. There were a few subplots and parts of the novel left out but I found that, unusually, this didn't bother me as much as it normally does with movies based on true stories. This is because the film told the essence of Li's story extraordinarily well in this irresistibly moving telling of one man's struggle as he's caught between two cultures at a time of when they were pushing against each other. This year's Slumdog Millionaire upstart is Mao's Last Dancer.

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  • Mao's dancer becomes capitalist roader

    Philby-32009-10-27

    Bruce Beresford is one veteran Australian director who can produce popular films, and this one is definitely a crowd-pleaser, at least for the crowd that likes to watch dance. The story itself (naïve young dancer from totalitarian regime defects to the freedom of the West) is pretty hackneyed but is framed by some exquisite dancing scenes. My former Red Guard colleague "Robin" thought that the protagonist Li Cunxin was a bit of a goose, for, given his extraordinary talent, if he had gone back to China he would have reached the top of the dance establishment. Instead, seduced by the shopping malls and high rise of Houston as well as by a young American dancer, and outraged when he discovers the Party has lied to him about America, he defects, causing a minor diplomatic incident and cutting himself off for the time being at least from his family. Still, he was only 18 at the time. The two actors portraying Li, Chengwu Gao as a boy and Chi Cao as an 18 year old, do excellent work, given that neither is a professional. In fact all the Chinese actors were terrific. The American / Australian support cast was OK (Jack Thomson reprising his good ole legal boy act, Kyle Maclachlan playing a straight role), though I found Bruce Greenwood as the Houston Dance Company director Ben Stevenson mildly irritating. One does see his point, however, about most of the Chinese dancers being athletes rather than artists. There were some sloppy aspects. Some of the Houston scenes were filmed in Balmain, Sydney, green street signs and all, which by no stretch of the imagination looks anything like anywhere in Houston. Yet Beresford filmed in Houston, and went to considerable trouble to film in China. The Qintao village scenes are beautifully composed and the very last scene shows how Beresford must have convinced suspicious local party officials that he was making a movie they could approve of. I guess he didn't show them the scenes with the Madam Mao–like character chucking her weight about. It's not mentioned in the film, but it's well known that when Li's dance career came to an end he re-trained as a stockbroker, an unlikely "happy ever after" scenario. He now lives in Melbourne. Beresford and Jan Sardi based the script on Li's own best-selling memoir and there's no doubt they have added something, if only some great ballet scenes – the extract from Stravinsky's "Firebird was fabulous.

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  • inspiring story and a truly brilliant movie

    custanius-544-6790012009-10-01

    To be honest, I've never actually finished Li's book. I had the vague idea its about a boy from my hometown that went on to become one of the best ballet dancers, but then, being a Chinese immigrant myself, I'm not particularly pleased with people 'cashing in' on their stories. After all, his story, in fact, was of particular interests to westerners because of the clashes of cultural identities between two worlds, which i and many thousands if not millions more overseas Chinese experience everyday. But after watching the movie, I have to say I loved it. The directing truly captured the struggle of a man torn apart between what 'ought to do' and what 'should do'. I was born in Qingdao, China.So the connection between me and Li's story is very strong. Mr. Li is just about my parent's generation, so in a way, I can see his struggle in my own world, everyday. Qingdao is never short of artistic talent, to many, artistic talent is the only way out. 'There's no national boundaries in art', my parents used to tell me. When I was five my parents bought me my first piano, which cost them an entire year's savings, but it was seen as a valuable investment, 'art will pave the way to success', they used to say. Like my classmates in the piano class, I used to rise up 5 in the morning and practice until its time to go to school, only to come home then stay practicing until 10. Going to Beijing and to study in one of the national music academy would be many of my fellow classmate's dream. I can feel the pride Li's parents had when he went to America, I can also feel the pain he felt when he decided to stay in America. To Li and many others, to become what he was when he went to Beijing would be everything anyone could ever wanted. What more can he hope to achieve? He could've been the best ballet teacher in China, with fame and fortune to boot, but he threw all that away because of love and freedom. I don't believe it was because of money or fame, it was simply a choice made in a heartbeat by a young man who believes in himself.Was it selfish? I don't know. I'm confronted with this question everyday while I'm in Australia, to many Chinese and spectators, Li's action is selfish indeed, abandoning his duties, his parents and his place in the society pursuing freedom and love in a westerner's world. But the longer I stayed in western world, the harder I ponder that question, what is duty? and more importantly, what is a son's duty to his parents? to his nation? The value system is obviously very different back then, Li, who's seeking individual happiness didn't fit into a collective society like China. But, he also had the fortune to be plucked, trained and nurtured to become what he was. Should he repay his 'debt' by going back to China? or should he capitalise on what he has gained and achieve greater personal glory? It's easy to answer for anyone in a particular value group, but for Li and many Chinese overseas, it can be a life-long dilemma. After all, Li's fortunate enough to be sitting comfortably somewhere in Australia writing his book, many buried talents are somewhere in a dusted corner in China tutoring next generations of wannabe talents. But his fortune also comes from perseverance and handwork, from a heart to pursue what he truly believes in. To that end, the movie tells a brilliant story of a brave young man.

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  • A beautifully told movie

    jharmon-192009-10-05

    My husband and I went to see this movie yesterday and thought the acting was great from relatively unknown, at least to us, actors. I had some idea of what the movie was about prior to going to see it but it was even better than my expectations, and the lead actor was a truly magnificent dancer, as were the others. The story was moving with a few humorous moments, and showed how disciplined a person must be in order to become a great dancer. I have to say it has been my experience that people generally leave before the credits but, like myself, they stayed, which says something for the acting and the movie itself. I would recommend this movie to everyone, even those who are not fans of ballet.

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  • A sure fire Oscar contender

    Casablanca37842010-09-05

    A charming, stirring, visually and emotionally stirring film. The best I've thus far seen in '10. The story of a mainland Chinese 11 year old boy,supposedly forever indoctrinated by daily school- taught commie propaganda garbage,is chosen to attend a special school to be trained for ballet. He does well and in due time, is sent to the USA to the Houston Ballet Company. Then and there he awakens to not only his manhood but to the realization that all he's been taught about the "glory of Chairman Mao's communist revolution, was the furthest thing from the truth. Not only is the lead a wonderful danseur but his acting ability could win him a Best Actor nomination as well. A film NOT TO BE MISSED.

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