Behind the Green Door (1972) is a English movie. Artie Mitchell,Jim Mitchell has directed this movie. Marilyn Chambers,George S. McDonald,Johnnie Keyes,Elizabeth Knowles are the starring of this movie. It was released in 1972. Behind the Green Door (1972) is considered one of the best Adult,Drama movie in India and around the world.
Two men enter a fast food place. The owner asks them about a mysterious matter. After some considerations, one of the two guys accepts to tell the story. Here starts a long flashback: the two men are in a terrace, next to a lake, and one is telling the other a story. A woman, a wealthy San Francisco socialite named Gloria sits at a table nearby. Later she is kidnapped. When her blindfold is removed, a woman welcomes her. After a relaxing massage, she is accompanied by 6 women, into a stage, in front of masked men, and women of all kinds. A speaker explains that the woman will be pleased, by all means. The 6 women first, and later some men make love to her, while the audience progressively move into a orgy. This is the end of the flashback. The owner of the fast food place asks what happened after that time, but the men refuse to tell.
Fans of Behind the Green Door (1972) also like
1972 was, of course, the year that porno briefly became "chic", entirely due to a triumvirate of films that have lost little of their iconic stature three and a half decades further down the line. Queens hairdresser turned quim artist Gerard Damiano unleashed the double whammy of DEEP THROAT and DEVIL IN MISS JONES while the ultimately tragic Mitchell Brothers pooled their considerable talents and resources for the very different BEHIND THE GREEN DOOR. Different in its approach to erotica, making a serious bid for highbrow respectability rather than just content to stimulate its audience's groin area, it was clearly intended to appeal to women as well as men. As a result, the female contingent of its viewer-ship during its initial theatrical run at the brothers' fabled O'Farrell cinema was rumored as being uncharacteristically high. Though exact numbers are nigh impossible to come by, it has also been documented elsewhere that an inordinate amount of female buyers procured the cassette when it was launched on its particularly profitable video career. Supporting the distinction between "rape fantasy" (fuelled by bodice-ripping romance novels) and the disturbing reality, GREEN DOOR details the feature-length subjugation of one woman fair-haired all American girl Gloria Saunders, portrayed by former Ivory Snow model Marilyn Chambers in her indelible adult baptism by fire abducted and taken to an underground sex club where for one night she's told she will be publicly "loved like she has never been loved before" with freedom returned to her the next morning. Story was taken from an anonymously penned pamphlet that has been passed around among soldiers ever since the Second World War, framed by the supposed eye witness account of two "Everyman" types, strapping young Barry (George S. MacDonald, the boyfriend from David Gerber's superlative SCHOOLGIRL) and elderly Dudley (character actor Yank Levine, who played Abraham in the Mitchells' ill-fated epic SODOM & GOMORRAH) to an inquisitive diner cook. Helpless to save the girl Barry had been flirting with mere moments before, they watch her being dragged (by Jim & Artie no less !) into a car and speeding off. As coincidence would have it, she turns out to be the main attraction at the mysterious Green Door Club both men frequent later that night. Making their bid for real world respectability, the Mitchells enlisted a pair of minor celebrities for brief appearances at this stage. Former pro football player for the Oakland Raiders Ben Davidson plays the bouncer and Angela Castle a/k/a "Toad Attell", who was a regular on Sid Caesar's family-oriented YOUR SHOW OF SHOWS, performs her patented mime routine which stands as one of few elements that really date this film. Though she's an unwilling participant at first, Gloria gradually grows to enjoy the erotic experiences afforded by her captors, a rapt audience progressively partaking which shifts the film's focus from stage to auditorium. In a key element to women's enjoyment of the premise, Gloria is immediately soothed by a sympathetic, tellingly mature matron (with the hint of a British accent, supplied by Linda Grant who thereby has the most extensive dialog scene in the movie) who assures that no harm will come to her and that she should just open herself up okay, you can stop sniggering ! to the physical pleasures that await her. Ravishment by half a dozen women in stylized nun garb, beautifully shot at strangely skewed angles by regular Mitchell DoP Jon Fontana (who worked on AUTOBIOGRAPHY OF A FLEA and their rarely revived CB MAMAS), leads to Gloria's response to the call of nature in the shape of the industry's original black stallion Johnny Keyes in an all time classic encounter. No longer on the receiving end, our silent heroine reciprocates in the legendary trapeze number with Mick Jones (another man of color, also in Ann Perry's COUNT THE WAYS and Gary Graver's V THE HOT ONE) and an early appearance by Tyler Reynolds, culminating in the extended solarized spurting that now unfortunately seems mostly like the brothers showing off their technical prowess as it tends to stop the film dead for a ten minute stretch. The highly ritualized theatrical "performance" contrasts effectively with the spontaneous action bursting out among the rapt audience, including an imposing obese lady whose presence has engendered reviewer references to Fellini, along with a recent French critic likening the film to the works of Godard and Ozu in light of the brothers' documented film school training. Great, so at least I don't have to venture down a path that can logically only lead to ridicule ! More than just a hardcore history relic, GREEN DOOR actually holds up well for most part, save for its few dated aforementioned stylistic touches. By restricting their central heroine to complete silence throughout, the Mitchells adopted the "blank screen" approach onto which each viewer can project his or more specifically her private fantasies. There had been cute girls in porn prior to 1972, like Tina Russell for instance, but Chambers was without doubt the first truly beautiful woman to enter the industry, her until then minor real world recognizability facilitating audience identification. It may also be an important factor, as critic Danny Peary points out, that the sexual feats she performs are relatively modest in comparison to those achieved by Linda Lovelace and Georgina Spelvin around the same time and therefore quite attainable for the average Jill Public. Further proof that the genre was still in its infancy and feeling its way is the haunting and utterly non-porno type music composed by Daniel Le Blanc which perfectly accompanies this timeless and still tantalizing classic.
Unlike most of todays porn pictures, Behind the Green door is a well made film, pretty good camera work for a movie in this genre. It takes its time until it becomes explicit, but I did not feel inclined to push the fast forward button, since the film works pretty well as a movie and not only as a way to arouse the viewer erotically, though it still is an amazingly sexy piece of work.
Before the Mitchell Brothers made what is probably their masterpiece with 1973's 'The Resurrection of Eve', they made this film. Behind the Green Door is a strange and surreal porn flick that features everything you'd expect (and more!) in a weird dream-like setting. The film is cited by some to be an influence on Stanley Kubrick's final film Eyes Wide Shut - and it's certainly very obvious why. The plot focuses on the idea of a young girl being kidnapped. She is taken to a strange underground club, where the clients wear elaborate masks and costumes, and forced to perform various sex acts on stage. As a porn film; Behind the Green Door is likely to be a bit too strange for some, and as a film - there's far too little going on in the plot departments and despite the setting, it soon degenerates into a simple collection of porn sequences. It is very well filmed, however, and while we're seeing things like blow jobs and lesbian sex that we've all seen in many other films; the Mitchell Brothers somehow manage to make it seem different to what we've seen before due to the execution. I can't say that the film works as a complete whole - I didn't find it very erotic and there's really not a great deal going on outside of the many sex scenes. Still, this is undoubtedly an interesting film and followers of XXX stuff will likely want to track it down.
I was born in 1963 and I saw the film when I was 15 years old. If it wasn't for this film I would have not turned out as well as I did in the area of sexuality. The film taught me that women have the right to enjoy sex. That sex is a part of life and should not be seen as dirty or just the way to have kids. When the woman who was kidnapped was taken to a place with a stage and an audience, I was concerned for her. But when she was totally sexed up by women and men, who were giving her pleasure, and not just getting their rocks off, I was driven to learn all I could about sex. The good and the bad aspects of it. Because of this movie, The Green Door, I have never had an STD, never had horrible sex, and never suffered like many woman where I live. I wish they would make a Behind The Green Door Two where the woman's 21 year old daughter is lead to the same place and gets the same delights as her mother did decades before. I have seen a few sex films since and I am not that impressed. But I would love to see one where there is sex, mutual satisfaction and the subtleness of a story that has the potential to help any young person get past the negative crap some would have them endure, keeping from them the true joy of sex.
I say outstanding film, not outstanding porn film, to describe this film that is not only good for its genre, but great as a film, period. Marilyn Chambers plays Gloria, a young woman who refrains from speaking for the entire duration of the film, but is a complex character through Chambers' brilliant use of facial expressions and body language to express character. The plot deals with Gloria being "kidnapped" from the hotel she's staying at and taken to a seedy sex club, where she is "relished" and is then forced to perform sex acts, where she is "loved as never before". This is by far the most artistic porn film I've ever seen, with an almost ten-minute slow motion "cum" shot that uses different angles and backgrounds to make a quite "trippy" viewing experience. Pro football player Ben Davidson has an amusing non-sex cameo as an intimidating bouncer. Best musical score, cinematography, writing, and acting ever seen in a porn film.