Borg McEnroe (2017) is a English,Swedish,French,Spanish,German movie. Janus Metz has directed this movie. Sverrir Gudnason,Shia LaBeouf,Stellan Skarsgård,Tuva Novotny are the starring of this movie. It was released in 2017. Borg McEnroe (2017) is considered one of the best Biography,Drama,Sport movie in India and around the world.
It is the 1980 Wimbledon tennis championship. Bjorn Borg is the number 1 tennis player in the world and the undisputed king of Wimbledon. He has won the tournament four times in a row - a fifth consecutive time would be a world first. However, a new face has appeared in the tennis world and presents a serious threat to Borg's title hopes - John McEnroe.
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I was fortunate enough to see " " on opening night for the 42nd Toronto International Film Festival. Without giving away too much (especially if you're like me and you didn't know much about this 1980s tennis rivalry coming into it), I will say that this is a fabulous film and everyone involved in the making of it should give themselves a huge pat on the back. They have done an incredible job in crafting a story that successfully explores, analyzes and pays homage to two contrasting albeit equally fascinating personalities in sports history. Both of the titular characters are played to perfection thanks to virtuoso performances from and , the latter of whom was practically made for the role. Regardless of what you think about Shia, his commitment to any role is always awe- inspiring and here he gives a performance that so perfectly combines loud-mouthed arrogance with an icy determination that he actually makes it difficult for you to route against him. He creates a fascinating character alongside the calm, cool and collected persona of Björn Borg, played exquisitely well by Gudnason. Another performance that deserves a mention is that of , whose quiet loyalty really helps to anchor the film in the more pivotal emotional moments. In a lot of ways this film reminded me of " ", another excellent film that deftly explored an iconic sports rivalry and how each athlete helped to shape the other. Like Rush, " " transcends the sport at hand to become an exploration of human suffering, resilience and, ultimately, redemption. Aside from the themes at hand, the technical brilliance of the film completely grabs your attention and never lets go until the final frame. In what is the first full-feature length film of , he creates a film that perfectly captures a game-changing moment in sports history and the contrasting personalities of the men who changed it. I really enjoyed this film and encourage anyone reading this to go see it!
I remember this Winbledon finals like it was last month, what a great mach it was between two iconic tennis players, maybe two of the most unforgettable sportsmen ever. Two men, two opposite personalities, one great match, one thrilling drama well directed by Janus Metz and masterfully played by Sverrir Gudnason and Shia LaBeouf as the opponents, still I have to mention Stellan Skarsgård, the man simply doen't know how to act bad in a movie. After you watch this one you'll go and search for the real game on Youtube, you wont regret it for sure. 8 out of 10
We are currently seeing a vogue for movies about famous sporting rivalries. I think this was kicked off by the excellent Senna (2010), which could have been a fact-of-the-matter biography of Senna but ended up (wisely) focusing on the rivalry between Senna and Prost, which brought an unintended emotional richness to the story. This was followed up by the almost-as-good Rush (2013) which goes back a decade to tell the story of dashing gentlemen racer James Hunt versus the cold, calculating Nikki Lauder. Now, a Swedish-led production effort is telling the story of one of the great tennis matches of all time: four-time champion Bjorn Borg versus the fiery tempered young John McEnroe at the Wimbledon men's final of 1980. As a strange pre-note: I watched Borg vs McEnroe in a completely empty theatre. Clearly, this movie is not getting the attention it deserves. I think it definitely affected my viewing experience; I was able to completely shut off and see it my own way. Which is good, as this film has a real psychological edge. In short, it was an excellent movie. Surprisingly so, in fact. It got to the point where I forgot I was watching a film and really seemed to be inside the heads of the two leads, right there with them, through every match, every up, every down, every argument, every triumph. This is quite the achievement for a film based in historical fact that can't take too many liberties with the story. Within the first couple of scenes, I could tell this was going to be my kind of movie: a real character study. We see a day in the life of global heart-throb mega-star Bjorn Borg, who is beginning to tire of the trappings of fame. I noticed the filmmaking technique of filming Borg in tight, claustrophobic interiors with shadowy men in suits hanging around in the background. It suggests that his life is beyond his control, is being lived for him, and maybe he wants out ... but doesn't know how to do that. All he knows is tennis, and winning. Enter the young and fiery John McEnroe, who is a major blip on Bjorn 'Ice'-Borg's radar. If Borg was the ABBA of tennis, McEnroe was the Sex Pistols. Known for ranting at umpires and crowds, he had whipped London's easily baited tabloid newspapers into a frenzy, they could smell blood in the water, and as McEnroe battled his way into the final with a combination of luck, talent and verve, a fairytale match (and perhaps a major upset) was being set up. Borg is unquestionably the main character of this film. I think we get about a 70:30 time share between the title characters. This is something of a shame, as I thought that McEnroe was perhaps the more interesting character. How does a New York wiseguy from a good family and lots of opportunities end up pushing himself into becoming a tennis world No. 1? The movie never really tries to answer this question. It focuses much more on Bjorg's backstory as a trouble kid who was recruited - some might say brainwashed - into channelling all his anger into his tennis. In perhaps the movie's best scene, McEnroe makes the link between them clear, and spots that Bjorg may seem like an iceberg but really he's a volcano waiting to go off. Shia LeBeouf was an inspired choice to play McEnroe. LeBeouf has always faced fierce criticism of his acting, his suitability for the kind of roles he wins, and has run the tabloid gamut lately with a string of bizarre stories about his life and behaviour. In scenes where McEnroe rants at the press, you feel LeBeouf is really getting something off his chest here. Also excellent is Stellan Skarsgard, who plays a tennis coach with just the right amount of highly questionable morality in pushing youngsters as hard as it takes to produce a champion. My one criticism of the film was the cheesy title cards, which spell out explicitly what's supposed to be happening in the movie with things like "The rivalry would affect the players for the rest of their lives." Show, don't tell, is the first rule of filmmaking. However, the movie's technical excellence - the tennis sequences were utterly spellbinding - and surprising emotional heft and depth make this a wholehearted "Yes - see it" recommendation from me.
It's the summer of 1980 and Björn Borg (Sverrir Gudnason) is the top tennis player in the world, dominating the sport both on and off the court. A powerful and rigorously disciplined player, there is only one obstacle in his pursuit of a record-breaking fifth Wimbledon championship: the highly talented but ferociously abrasive young American, John McEnroe (a perfectly cast Shia LaBeouf). With three days until the tournament begins, Borg trains religiously in his lavish Monaco home, aided by his coach and mentor Lennart (Stellan Skarsgård) and girlfriend Mariana (Tuva Novotny). But McEnroe's explosive confidence and wrecking-ball persona continue to infiltrate Borg's ice-cool and normally unshakable temperament. With each man the antithesis of the other, both players delve into their formative memories as the climactic tournament draws near and anticipation reaches fever pitch. Visceral and breathlessly tense, the match itself - regarded as one of the greatest of all time - would mark the pinnacle of the 'Fire and Ice' rivalry between Borg and McEnroe; an exhilarating battle of personalities that set the world of tennis alight.
Borg vs McEnroe presents a powerful and well-made portrait of two tennis rivals under immense psychological stress. Despite this, it may fail to stick in the minds of non-tennis enthusiasts. Borg vs McEnroe is like many sports movies in that it focuses on the mindset of the individual players to heighten the drama. However, it is unique in its presentation of the contrast between Borg and McEnroe; two brilliant rivals who experience excruciating inner and outer pressure, but who deal with it in different ways. The film manages to convey near-complete psychological portraits of the two tennis stars through a combination of flashbacks, character interactions, and scenes on the court. The film succeeds due to its skillful cinematography and powerful performances from Sverrir Gudnason (Borg) and Shia LaBeouf (McEnroe). Borg vs McEnroe feels comfortable using unique shots and cuts to portray a certain emotion or action sequence, but it doesn't overuse any techniques so as to distract from the reality of the events. Thus, the use of dramatic cinematic embellishments rarely feels overly theatrical or out of place. The second main strength of the movie is the two performances from Gudnason and LaBeouf. The actors accent the emotional torment that the tennis figures faced, and without such strong performances the movie wouldn't have been worth the watch. The real value of Borg vs McEnroe is the questions it raises about success and perceptions of success, and it highlights the fact that the media's portrayal of athletes rarely tells the whole story. But the movie is clearly building towards the great match between Borg and McEnroe, and so that promise must be fulfilled. The final tennis scene is done effectively, but it is not strong enough to bring the whole movie to a close. For those who are unaware of how the match turned out, the third act will be riveting. For those who know the end result, they may feel that it drags out a little longer than necessary. One choice by the filmmakers that undermines the final scene was their obvious bias towards Borg by focusing on his flashbacks and emotions over those of McEnroe. Ultimately, the movie's strengths overshadow its weaker points; Borg vs McEnroe is a solid biographical sports film, even if it can't quite mix sports thrills with an in-depth character analysis.