Efter brylluppet (2006)

Efter brylluppet (2006)

Mads MikkelsenSidse Babett KnudsenRolf LassgårdNeeral Mulchandani
Susanne Bier


Efter brylluppet (2006) is a Danish,Swedish,English,Hindi movie. Susanne Bier has directed this movie. Mads Mikkelsen,Sidse Babett Knudsen,Rolf Lassgård,Neeral Mulchandani are the starring of this movie. It was released in 2006. Efter brylluppet (2006) is considered one of the best Drama movie in India and around the world.

Jacob Pederson lives in shanty surroundings in Bombay, India, and assists in the running of Anand Orphanage and School. He had attempted a number of projects to assist orphans, including child prostitutes - all quite in vain. He has adopted a young male orphan, Pramod, and takes special care of him. With growing pressure on the facilities, which is on the verge bankruptcy, the orphanage receives an offer of funding from wealthy Danish citizen, Jörgen, which may put an end to its problems. In order to obtain the money, Jacob must travel to Copenhagen, meet with Jörgen, get financial assistance, and be back to celebrate Pramod's 8th birthday. He sets forth, is received by Christian Refner, an employee and future son-in-law of Jörgen. Jacob is shown all possible courtesy and even housed in a posh apartment. He subsequently meets with Jörgen, shows him video-tapes and submits that a few Kroner could really save several lives which would otherwise succumb to minor illnesses and infections....


Efter brylluppet (2006) Reviews

  • Intensely Human


    If you are looking for a movie that confirms preconceived notions, don't go to this one. Rather than trotting out a character as a rooting interest in the second or third scene, the film presents four individuals who are definitely worthy of your interest and compassion. The two men in this drama, Jacob and Jorgen, are each powerful in their own ways. Jacob in the power of his convictions, Jorgen in the power of money and commerce. The two women, Helene and Anne, and the decisions they make, are the characters that move the story and set up the very real personal tragedies that ultimately unfold. Rather than a recanting of the general plot, my recommendation is to go into this movie as cold as you can. There are twists to be resolved and lives to learn about -- they are not aided by hearing about them beforehand. There are no special effects, no flashbacks, no grainy images, and resolution is provided without the use of gun-play. (When was the last time you saw a movie that didn't have a gun figuring in the outcome.) Like real life, it takes a while to learn who the characters are and confirm that first impressions may (or may not) be correct. The pacing of the movie seems to be a primary criticism on the message boards but it seemed to move at a breakneck pace to me. I was very sorry to see it end. This is a human drama that the "old" Hollywood once made by the boatload. Highly recommended.

  • Incredible acting, incredible story.


    As may be expected of Susanne Bier, and as may be expected of Scandinavian films in general if you ask me, this film is really great. The acting is so good it's hard to call it acting. Mads Mikkelsen (Jacob) puts up a terrific performance with acting that is as credible as it is subtle. Not the over-the-top stuff that we are familiar with from Hollywood, but acting that actually makes you think "yes, this is how real flesh and blood people would react". I was also pleasantly surprised by Sidse Babett Knudsen (Helene). She has a lot of scenes with little or no dialog, but the way she tells everything with subtle face expression is simply mind blowing. And let's not forget Rolf Lassgård (Jörgen) and Stine Fisher Christensen (Anne), who both remind us what real flesh and blood emotions look like in a way that really hits you in the face. Anyway, I'm a fan of Scandinavian films for reasons mentioned above, and I'm almost ashamed to say that in that light this film was really nothing new, and luckily so: just more of the same wonderful stuff! What really stuck with me about this film however is the story. It is so ...human in all aspects. I won't reveal any spoilers, but as the story unfolds, it just gets so much more complex than you expect at first. In the first 15 minutes, I expected the movie was mainly going to be about the struggle between Jörgen and Jacob. The struggle between these two "stereotypes" really... one being the cool business man who solves everything with money, and the other being the idealistic but clumsy social worker. I was pleasantly surprised however that it got even better after that. What I mainly like about the movie, is that it doesn't offer any simple solutions. In the end, there are no perfect happy endings that solve every puzzle; the main characters have to make decisions, but it's not all black and white like we see in a lot of other movies. People have to do things they might not have done initially, but in the end, there may be upsides as well. You know... that sounds an awful lot like real life, and that's a good thing for a film if you ask me.

  • another example of brilliant danish film-making!


    I greatly admired the previous films by Susanne Bier (" Open Hearts" and "Brothers"), so my expectations were very high.Luckily they have been fulfilled.Like the other two the film is a sociological and emotional experiment.It's about one's place in the world (the crucial phrase in the film is Jorgen's "Can one expect from you help only on the other side of the globe" ), about responsibility and the making of painful decisions.The film starts quite slow,but after half an hour it's getting more intensive,mostly supported by 4 extraordinary actors and actresses.While I already knew the qualities of Mikkelsen,Knudsen and Lassgard,I was really blown away by Fischer Christensen as the daughter.There were 4 real-life characters and I could follow their psychological turmoil.Some may find the script too constructed,but life turns out to be full of unexpected twists.The film is no popcorn-entertainment,but for anyone,who appreciates a human,deeply moving drama with the concentration on the characters instead of superficial action,I can only say: Go and watch this movie!

  • A Kleenex required movie.


    I had been told prior to the Toronto Film Festival that vast quantities of Kleenex were necessary for this movie and by the end, was proved that the warning was 100 percent correct by the long lines of mascara running down my face. (I wasn't the only one scrubbing my face dry in the bathroom. I had PLENTY of company.) The movie. It was tender heartwrenching angsty cinema that you'll never forget if you see it. From the big eyed orphan waif in India to the Danish billionaire and his family, every cast member was perfect for their part. Mads was alternately driven, grieving, heartsore and furious and then committed to helping a person he'd never expected to have to. He was lured from India by promises of money to fund an orphanage. While most women are going to be thrilled by the beginning sequences and scenes (flashes of sensual dreams and a barechested Mads wandering the night, worrying), by the end they will be entirely caught up in other characters altogether. Yes, you NEED those Kleenex. Rolf Lassgard who plays the billionaire Jorgen has a fine deep booming voice with a persuasive quality that has you agreeing that yep, here is a man who WOULD be a billionaire. He's decisive and forceful, motivating people with every means at his disposal. I particularly liked the way the director framed the events and depicted the mood in the movie with the use of stark visuals. Pay attention to the director's use of eyes. It's all linked in a meaningful way. Though the movie is slow moving, it is like a deep river. Underneath the top lazy current, the force is flowing through the riverbed until it reaches a smaller place and has to force itself out in a torrent. Be patient. I will drag anyone I have to into the theater to see this. By the end of this movie, you appreciate that life is finite and family is the center pivot point of everyone's universe. So we got up at the crack of dawn to get tickets to see it again the next day. And cried again. It was even better the second time around.

  • Denmark and India are worlds apart


    Efter brylluppet (2006), written and directed by Susanne Bier, is a Danish film shown in the U.S. with the title "After the Wedding." The film is like a jigsaw puzzle that has been started but not completed. As the story progresses, pieces are added to the puzzle one at a time. There are secrets upon secrets, and memories upon memories. Only one character knows the entire story, and he is hiding a secret of his own. The film begins in India, and the footage shot there has the ring of truth about it. Most of the film concerns wealthy people living in Denmark. The contrast between the poor in India and the wealthy in Scandinavia is immense. (Actually, it's more than that--it defies description.) The person who travels between India and Denmark--Jacob--is the link between these two worlds. He works in an orphanage in India, and he is sent to Denmark to convince a billionaire businessman to fund the project. The plot unfolds slowly, in a subtle and unpredictable manner. There are many ambiguities, and not all of these are sorted out by the end of the film. The acting is extremely good, with outstanding lead actors and an excellent supporting cast. If I had to single out one actor for praise, it would be the extraordinarily talented Sidse Babett Knudsen, who plays Helene, the wife of the wealthy business man. Ms. Knudsen turns in a nuanced and satisfying performance that is a pleasure to watch. This exceptional film was appropriately nominated for an Oscar. It's certainly one of the best movies of 2006, and deserves wider distribution so that more people can see it.


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