Harry Potter and the Prisoner of Azkaban (2004) is a English movie. Alfonso Cuarón has directed this movie. Daniel Radcliffe,Emma Watson,Rupert Grint,Richard Griffiths are the starring of this movie. It was released in 2004. Harry Potter and the Prisoner of Azkaban (2004) is considered one of the best Adventure,Family,Fantasy,Mystery movie in India and around the world.
Harry Potter (Daniel Radcliffe) is having a tough time with his relatives (yet again). He runs away after using magic to inflate Uncle Vernon's (Richard Griffiths') sister Marge (Pam Ferris), who was being offensive towards Harry's parents. Initially scared for using magic outside the school, he is pleasantly surprised that he won't be penalized after all. However, he soon learns that a dangerous criminal and Voldemort's trusted aide Sirius Black (Gary Oldman) has escaped from Azkaban Prison and wants to kill Harry to avenge the Dark Lord. To worsen the conditions for Harry, vile creatures called Dementors are appointed to guard the school gates and inexplicably happen to have the most horrible effect on him. Little does Harry know that by the end of this year, many holes in his past (whatever he knows of it) will be filled up and he will have a clearer vision of what the future has in store.
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The third film about the young wizard is the most controversial, for it was he who split the fans of the novels about Potter into two warring parties: conservatives and innovators. The first group of fans absolutely condemned and condemned the actions of the director Cuaron, altered "Harry Potter" in his own way. Say, they did not like the strange werewolf, all sorts of jokes-jokes, interspersed by the director in addition to the script, and in addition to all the claims they discovered the disappearance of the atmosphere of magic, because of which the popular expression of "Quaron in the furnace" was born. The second group, on the contrary, furiously began to praise Cuaron, extolling him to the unprecedented pedestal of fame, thus creating almost a cult of personality. They liked everything that only they could like in the third film. Only now it became clear that both sides are not right in their convictions. So it should be, movies must be different in essence. The error crept in from the very beginning: Chris Columbus took the first two films, and this put the old debate on what kind of movies Harry Potter should be about. Columbus did not have to give the right to shoot two films, and one would suffice. Spectators are used to the atmosphere of the first two films, because most of the audience took the innovative approach of Quaron to the screen version of the third novel with bayonets. Now the producers make a mistake again - they give the right to shoot two films (The Order of the Phoenix and The Half-Blood Prince) to the new director David Yates. This should not be done in any case. It is necessary to preserve the diversity of director's visions. Hogwarts is not accidentally depicted in different ways in films, like Hogsmeade. Everything in novels is seen differently every time, because all the reader and viewer sees through the eyes of Harry Potter, and in films through the prism of the director's vision, the viewer must perceive the magical world through the eyes of a young wizard. Alfonso Cuaron still hit the spot with his timely vision of the plot of "The Prisoner of Azkaban." He created a sparkling tragicomedy for the growing up of a young wizard. In general, Cuaron's film reminds me of our old Soviet films. For the reason that the whole film can be easily taken away on the shots, quotes, fragments, heroes, soundtracks, etc., etc. Despite everything, this film is much kinder than the previous two, differing in their gloomy Gothic style. It's more fun, crazy, and it should be, because it's Sirius Black himself on the scene! For the whole of Rowling's novel, like the film of Quaron, is a tribute to the memory of the crazy, hooliganistic and such lonely Sirius Black ... Black, whose heart is beating violently, hot blood flows in his veins, and in the soul is truly dog devotion. The third film, as well as the film, is dedicated to the looters - James Potter (= Harry Potter), Peter Pettigrew, Rimus Lupine and Sirius Black - a group of friends who used to be friends a long time ago ... The film ruthlessly shows how easy it is to lose friendship and how difficult it is to acquire a friend ... Thanks to Alfonso Cuaron, who did a talented work, showing in one stroke all the huge gallery of the characters of the magical world and their essence: the Minister of Magic plunges into a puddle; the soothsayer with big glasses on her nose stumbles on her own table; The evil teacher Severus Snape closes the children from the werewolf; eccentric Dumbledore slams his hand over Ron's gnarled leg; Remus Lupine, at the lesson, takes a snack with an apple; portraits of Hogwarts, it turns out, also like to sleep; Stan Shanpike with his brave words is not very strong in dragging student suitcases; Hagrid and ties are incompatible things; Tom from the Leaky Cauldron has a nehyl auto; Ernie, wearing spectacles with large lenses, is led by the "Night Knight"; Sirius Black finally began to talk moral nonsense ... Also it is necessary to thank the new actors, so successfully merged into the old line-up: Emma Thompson (Sibyl Trelawney); Michael Gambon (Albus Dumbledore); David Thulis (Remus Lupine); Julie Christie (Madame Rosmerta); Gary Oldman (Sirius Black); Timothy Spall (Peter Pettigrew) and many others. By the way, if my memory does not change me, then the two actors from the third film (cleaning woman in the bar "Leaky Cauldron" and Aunt Marge) Quaron quietly consigned to his other project - "Child of Man", but that's another story ... Let me love the fourth film about Harry Potter (director - Mike Newell), but I always revise the Curaron part - it is the brightest of all existing. In a word, long live Rowling and Cuaron! "Potter, come back!" (Severus Snape, potions teacher).
If there's anything this movie proves, it is the difficulty in separating the series from the demands of fans. This is clear just from hearing some of the comments. "Why didn't they identify the names on the Marauder's Map?" "Why wasn't the second Quidditch game shown?" "Why wasn't there more of Crookshanks the Cat?" By focusing on what the film didn't have, fans fail to look at the film on its own terms. I think this is by far the best Harry Potter movie yet. The only way to satisfy fans would be to include everything from the book, which would require a miniseries. Since that isn't what these films are, the story has to be abridged. The first two films tried to fit everything they could within a reasonable slot of time. The result was a set of films that felt cluttered yet incomplete. Had they continued with this strategy for this movie, based on a much longer book, it would surely have been over three hours long. The virtue of the latest film is that it makes a real attempt to adapt the story, not just marching in lockstep with the book's events. The screenplay is sparing, leaving out or simplifying loads of details not directly relevant to the plot. But it captures much of the book's delight and humor. The first two films fell short in this regard, because they lacked the guts to tinker with the details, even though that was the key to condensing the story while staying true to its spirit. The movie is still faithful to the book, of course. Many of the scenes are exactly as I had imagined them. When it deviates, it does so based on an understanding of the story and characters. This is evident in the way they show, for example, the Knight Bus; Hermione's overstuffed schedule; and the introduction of the Marauder's Map, a scene that captures the twins' mischievous personalities. The changes are clever and funny, and they help compensate for the movie's loss in other areas. Certainly this has something to do with the new director. Columbus's approach was to stick to the books as literally as possible, often draining them of their subtlety. For instance, where the books only hint that Dumbledore can see through the invisibility cloak, the earlier movies make it unmistakable. The new director never condescends to the audience in that way. This is a children's movie, but it is also a fantasy-thriller that we can take seriously, because not everything is spelled out for us. We're given a chance to think. But part of what makes the movie work is the book itself. The story is gripping from start to finish, because the threat looming over the school is established early on. Harry's personal life is sharply intertwined with the plot. We feel for him as we watch his disastrous (but hilarious) attempts to escape his uncle and aunt, and his humiliating reaction to the dementors. The story avoids common devices such as the talking killer or deus ex machina, which the other books have in abundance. The ending is nicely bittersweet and ambiguous. The plot is so complicated, however, that the book spends several chapters explaining it all. The movie wisely includes only very little of this, allowing the plot twists to become understood as the story progresses. I was surprised to see certain events that were in the movie but not the book lend support to an important theory some fans have had about what is to be revealed at the end of the series. Of course, it is well-hidden and won't give anything away for those who aren't looking for the clues. I was so satisfied with the film that it almost seems trivial to mention the flaws, but there are some. The portrayal of Fudge's assistant as the standard hunchbacked dimwit is out of place here, as it would be in anything other than a cartoon or spoof. The most serious misstep, though, is the casting of Michael Gambon as Dumbledore. Gambon's face seems frozen in a perpetual nonexpression, and his voice lacks resonance. He compares poorly to the late Richard Harris, whose line readings had gravity, and who played the character with a twinkle in his eyes. It is a pure mystery to me why this actor was chosen as a replacement, especially considering the fine performances from other members of the cast. Even the children are in top form here. Those complaints aside, this is the movie I was hoping they would make when the series began. If it doesn't live up to the book, so what? What's important is that it lives up to its potential as a movie. Fans who want a carbon-copy of the book are looking in the wrong place, because they're never going to get it here. This is probably the best example of a Harry Potter movie that we're ever likely to see.
(Credit IMDb) Harry Potter is having a tough time with his relatives (yet again). He runs away after using magic to inflate Uncle Vernon's sister Marge who was being offensive towards Harry's parents. Initially scared for using magic outside the school, he is pleasantly surprised that he won't be penalized after all. However, he soon learns that a dangerous criminal and Voldemort's trusted aide Sirius Black has escaped from the Azkaban prison and wants to kill Harry to avenge the Dark Lord. To worsen the conditions for Harry, vile shape-shifters called Dementors are appointed to guard the school gates and inexplicably happen to have the most horrible effect on him. Little does Harry know that by the end of this year, many holes in his past (whatever he knows of it) will be filled up and he will have a clearer vision of what the future has in store? Azkaban is quite possibly the best Potter entry I've seen so far. As an avid fan of the films, but not a follower of the books (Yet, anyway) It's in serious consideration to the best as far as I'm concerned. Usually with films that are 140 minutes long, I start to get Ancy in my seat due to my ADHD condition. I actually yearned for more after it was over, as the excitement was top-notch. The finale is without a doubt one of the most breathtaking one's I've seen in my entire lifetime. It was just beautifully told, and wonderfully set-up. Azkaban also provides us with three wonderful leads once again, in Radcliffe, Grint, and Watson. Azkaban is quite the ride, and may just be my favorite so far. Performances. Daniel Radcliffe continues to mature as Potter, and gives a wonderful show here. He balances anger, confusion, and vulnerability perfectly, and I was on his side the whole way. Rupert Grint is as funny and charming as ever as Ron. I found myself cracking up half the time he was on screen. Emma Watson is bubbly and easy on the eyes, but credible once again as well. She is also maturing, and Hermione is quickly becoming one of my favorite Potter characters. Gary Oldman is surprisingly effective as Sirius, considering he only did it for the Money. David Thewlis is interesting in his role, and wise, if nothing else. Michael Gambon is classy as ever as Dumbledore. Alan Rickman is sinister once more as Snape, while Maggie Smith is great once again in her role. Robbie Coltrane is pretty good as Hagrid. Tom Felton continues to emerge as a great threat to Potter's fortune, while Emma Thompson is fittingly kooky. Bottom line. This is top-notch excitement at its finest. It's definitely one of the best, if not THE best Potter film in the series. Potter fanatics should be thrilled with the fine quality of this movie. A must see! 9 ½ /10
Alfonso Cuarón's masterful adaptation does the source material immeasurable justice by exploring its underlying concepts in an intelligent manner. Of course, it certainly helps that the aesthetics of the film are incredible, the acting remains stellar (and the trio of young actors handle their roles admirably), and John Williams offers an amazing (and eclectic) score. Character development is superb - Steve Kloves penned a great script. First-time and young viewers will likely enjoy the film for its merits based on plot and 'adventure' alone, but it takes multiple viewings and a critical eye to enjoy the abstract ideas and nuances. Cuarón himself credited the source material as being laden with real-world issues: oppression, racism, loneliness, power, friendship, justice and so forth. This is the Harry Potter film that stands on its own and as a tremendous cinematic achievement. It challenges viewers and yet doesn't patronize them or attempt to offer answers to all of the questions presented. For instance, the ending is bittersweet at best and retains a healthy amount of ambiguity. If you've never read the books or understood the acclaim of the series as a whole, watch Cuarón's 'Prisoner of Azkaban' and you'll understand why this entry is clearly the zenith of the seven.
Harry Potter is growing up! The voice is deepening, the shoulders are broadening and...hurray! You no longer feel like a creep for having a little crush on Daniel Radcliffe...whoops, did I say that out loud? Say what you will, I see him making the jump from child star to adult actor in a way that Haley Joel Osment only dreams of. Appropriately, this third film in the Harry Potter series has matured along with it's young stars. At first glance the storyline itself is relatively simple - Sirius Black has escaped from Azkaban Prison and young Harry is on his hit list. But the reality is that this movie is about being a teenager and all the trials and tribulations that go with it. On one level, Harry is like any other kid at school - he puts up with torment from bullies, gets into scrapes with his teachers and hangs out with his friends. But this is not just any school. This is Hogwarts School of Witchcraft and Wizardry, and Harry has a whole OTHER set of problems. Like an escaped madman who may just want to kill him, for example. The plot contains the requisite amounts of twists and turns. The focus is on Harry's past - Sirius Black was his godfather but just may have been in league with he who's name cannot be mentioned. There is the usual game of 'are they or aren't they?' when it comes to deciding which characters are really the baddies. Alan Rickman continues to walk the finest of lines between good and bad with his marvelous performance as Professor Snape. Has there ever been a better match of actor and character? Snape shows again that, while he may take occasional delight in making his students' lives difficult, he does have their best interests at heart - like any good teacher. Other plot quirks worked well - I enjoyed the way the time travel angle was worked in and the map showing the location of everyone in Hogwarts was a delight. Visually, this is a much darker film and it is a sumptuous treat for the eyes. There is so much incredible detail in the sets that it's impossible to absorb it all in one sitting. All the staples from the other films are there - the paintings talk, the staircases move, ghosts roam the halls - watch out for the knights on horseback crashing through windows! The special effects are all top notch. A word of caution for any parents - there are some genuine scares here. The Dementors are particularly nasty, and I would certainly think twice about letting very young children watch this film. This is without even considering it's running time - two and a half hours - which is a very long time to expect some children to sit still. One of the most impressive things about this film is the way that the young cast are more sure of themselves. As Hermione, Emma Watson grated in the first film with her occasional woodenness. Pleasingly, she has grown into herself as an actor and her performance here is much more mature. A leading lady of the future, perhaps? Hermione is growing up and is tired of being taken for an irritating goody-two shoes know it all. Rupert Grint provides comic relief and Daniel Radcliffe gives an outstanding performance, considering the whole film rests on his shoulders. Harry is the hero - the audience needs to identify with him. By the end of this film teenage girls will want to take him home to mother, while their mothers will just want to take him home and adopt him! New cast members acquit themselves well. The role of Sirius Black was tailor made for Gary Oldman - he has a requisite creepiness with just a dose of humanity to bring the character to life. Daniel Thewlis is good as Professor Lupin, the new Defense Against the Dark Arts master who takes Harry under his wing. Emma Thompson is amusing as a Divinination professor with bad eyesight. She can see into the future but can't tell which students are falling asleep in her class! Many have criticised Michael Gambon's performance as Dumbledore. While it's true that he is no Richard Harris, I personally was pleased that he didn't attempt to imitate his predecessor. Gambon is accomplished enough a performer to stay true to the character while at the same time putting his own stamp on it. Take away the magic and monsters, and what you have is a coming of age movie. Harry is forced to grow up and confront both his past and his future, and come to terms with the reality that he is no ordinary wizard. With the spectra of 'you know who' continuing to loom on the horizon, roll on film four!