Oz the Great and Powerful (2013)

Oz the Great and Powerful (2013)

James FrancoMichelle WilliamsRachel WeiszMila Kunis
Sam Raimi


Oz the Great and Powerful (2013) is a English movie. Sam Raimi has directed this movie. James Franco,Michelle Williams,Rachel Weisz,Mila Kunis are the starring of this movie. It was released in 2013. Oz the Great and Powerful (2013) is considered one of the best Adventure,Family,Fantasy movie in India and around the world.

Oscar Diggs (James Franco), a small-time circus magician with dubious ethics, is hurled away from dusty Kansas to the vibrant Land of Oz. At first he thinks he's hit the jackpot-fame and fortune are his for the taking. That all changes, however, when he meets three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz), and Glinda (Michelle Williams), who are not convinced he is the great wizard everyone's been expecting. Reluctantly drawn into the epic problems facing the Land of Oz and its inhabitants, Oscar must find out who is good and who is evil before it is too late. Putting his magical arts to use through illusion, ingenuity-and even a bit of wizardry-Oscar transforms himself not only into the great and powerful Wizard of Oz but into a better man as well.


Oz the Great and Powerful (2013) Reviews

  • An average film ruined by Franco and Kunis


    I'll keep this short. The movie was pretty average and the casting of Mila Kunis and James Franco was the nail in the coffin. Mila Kunis is just plain bad, wooden and awful in the role of Dizzydora or whatever. One of the worst performances I've seen. Really shockingly bad. Every time she opened her mouth I couldn't stop thinking "Shut up Meg". James Franco, as other reviewers have said, comes across as an unsympathetic, slightly creepy Oz. His performance is uneven to say the least. Over the top in some places, half asleep in others. Franco's "likeable conman" Oscar Diggs, entirely misses the mark, you won't hate him, but you won't give a crap what happens to him. The dialogue isn't strong, some of the visual effects are a bit dodgy and there are flaws in the direction. A strong performance from the leads could have easily saved this movie. Sadly, the terrible casting decisions rendered this film pretty much unwatchable for me.

  • The Good, The Bad, & The Ugly


    Well, let's start with... The Good: The visual effects are 2nd to none. Raimi and his team have given their audience a bright and colorful world of wonder in a much more 'wowing' Land of Oz than that of the original film, and possibly even one that's more visually attractive than any other film to date. A very fun and crafty Rachel Weisz takes the role of Evanora and grips the audience with charm and viciousness in all the right doses. The supporting cast also performs pretty well, sometimes capturing that original 'Wizard of Oz' magic. The Bad: Going into this film with high expectations for the dialogue, & acting is going to leave you very disappointed. Two of the most featured roles of the film, Oz (played by James Franco) & Theodora, (played by Mila Kunis) are surprisingly and inexcusably portrayed very poorly. Franco's Oz is written to be about how you would expect him to be - complete with charm, wit, & deceit. However, the depth that you would expect to come with such an anticipated resurgence of a character is missing, & you can tell that Franco is having trouble buying into the role himself. The character quickly becomes stale at about 45 minutes in, and doesn't ever fully recover. Kunis feels the same - bored & devoid of passion for the lackluster lines given to her. Her character also has an issue with development, and is rushed from high to low so quickly that the audience doesn't have the opportunity to invest in her. The performances aren't the worst thing you'll ever see, but the lifeless script & awkward dialogue make it hard to stay focused. Even with a great script though, I feel as though Franco & Kunis weren't the best choices for their respective roles. The Ugly: The worst part of this movie is the story. It leaves you waiting for some kind of clever & unexpected plot twist, a little divulgence of the characters motivations, or even just some depth for the main focal points of the story. It's also somewhat obnoxious that this film takes elements of the original film that should have been left alone because the original film portrays Dorothy's entire journey as a dream in the end. (Such as transferring characters of "the real world" into characters of The Land of Oz) Without saying too much, I can tell you that this film is stuck somewhere between being a fun and family friendly revitalization of the original story and being a serious and intriguing fantasy film for a wide movie-going audience - and the formula just doesn't work. Having said all of that, I do not regret having gone to see Oz: The Great and Powerful, as the visuals do a great job of making up for everything that didn't work. I will warn you though, that the films run time of just over two hours can be difficult to sit through at times. Don't be afraid to take a bathroom break when it gets dry, you probably won't miss too much.

  • A Perfect Prequel


    Oz the Great and Powerful tells the story of how the great wizard Oz from the Wizard of Oz came to be. It follows the young Oz (James Franco) as he is swept away to an enchanted land ending up in the middle of a power struggle between three witches. The young Oz is a trickster who deceives those he wants and/or needs for his own ends. This attitude has consequences and those consequences are what drives the story forward. James Franco plays the young Oz brilliantly. The character is a shallow small time magician and the story shows how he comes full circle to be the Great and Powerful Oz from the Wizard of Oz. Unfortunately, his change happens after taking a grievous toll. The three witches who Oz comes to affect are Theodora (Mila Kunis), Rachel Weisz (Evanora), and Glinda (Michelle Williams). The three play their parts and give great performances to add to their resumes. For those who watched and loved the Wizard of Oz in their childhood, this movie is the perfect prequel. Watching it as an adult was a treat. The writers did well to adapt the script to make it a worthy prequel. In addition, the movie does well to entertain both children and adults. It slots in perfectly as the precursor to the Wizard of Oz. The film didn't have the best reception but I encourage you to ignore this. The directing is probably the weakest link in this movie, but the story and actors more than makeup for this. The character development is amazing and shows exactly why things were they way they are in the Wizard of Oz. Simply stated Oz the Great and Powerful is truly a prefect prequel.

  • Not a Great Movie, but Still a Good Movie


    I went into this film prepared to be disappointed. Tim Burton's Alice in Wonderland felt a bit lifeless to me (except for Johnny Depp's Hatter) and I couldn't help but compare this movie to that one in my head. So, I went and saw this one with reservations. I'm a huge Oz fan. I love the original books. I love the movie. I love Wicked (book and musical), Tin Man, Return to Oz, The Wiz (the musical more than the movie), and even Geoff Ryman's oh-so-depressing novel Was. There's no such thing as an "official" version of the story anymore, so I don't mind a little pastiche here and there. After all, Baum's Witch was short, wore an eye patch and a very tall hat, and brandished an umbrella, but Margaret Hamilton effectively erased that version in favor of the glorious green-skinned villain we all know and love. So talk of "the real version of the story" is pretty much moot at this point. This movie didn't disappoint me at all. Yes, it had some issues, but I didn't really mind overall. I left the theater with a big goofy grin and I'll probably go see it again. It was an enjoyable romp through a gorgeous landscape with enough insider references to merit multiple viewings. It rarely takes itself too seriously, and never tries to step on the toes of any other version of the story. There are references to events in the books which, before now, have never made it into any other adaptations (such as the China Girl), as well as many familiar visual cues from the 1939 film (the guard's outfits, the spiral where one fork of the Yellow Brick Road begins, and even a shot of the Kansas horizon with a scraggly grasping tree seem comfortably familiar). There was even a visual cue that, while it may not have been taken from this source, certainly suggested a character from Tin Man. I felt that Mila Kunis came across as a bit flat. Her character arc seems too forced and we don't really get to see much progression. I didn't mind James Franco, to be completely honest. He was appropriately sleazy when he needed to be and charming in a goofy way when needed. I think he could have invested his character with a bit more depth, but it never really turned me off his character at all. Superficiality is a huge part of his character, and I thought it worked, overall. The side characters were a delight, with some of the best comedic lines coming from Oz's traveling companions. And, of course, Rachel Weisz steals the show with a delicious performance, embodying a great number of classic villains from Snow White's Evil Queen to Star Wars' Emperor Palpatine. Visually, the film is a delight. Sam Raimi turns Oz into its own wonderland without it ever seeming predictable or tired. One criticism I had with Burton's Alice was that it didn't really give the audience a chance to luxuriate in the bizarre landscapes of Underland all that much. It had great character design, but the landscape seemed a bit low- key. Raimi, on the other hand, gives audiences exactly what they're looking for. Gems, flowers, waterfalls, mountains, rock formations, sunsets, etc. that are completely breathtaking. Not only that, but the CGI is crisp and clean. Danny Elfman's score was...OK. One thing I've noticed with him lately is that almost everything he does now sounds less and less unique. We've got the requisite haunting waltz and the spectacular pounding swirling opening credits theme, but other than that, I found almost everything to be a bit forgettable, which is sad because Elfman is one of my favorite film composers. The music isn't bad, but it just doesn't add as much as it could have. But overall, I really enjoyed this movie. It's a delightful romp through a colorful wilderness that asks nothing more from its audience than a chance to have fun. This isn't a thoughtful, complex Oscar-winner nor is it a gritty realistic fantasy a la Lord of the Rings or Game of Thrones. It's a kaleidoscopic portrait that seems at once familiar and new. Children will love it (though very young children may be scared by a few of the antagonistic creatures) adults will enjoy picking out all the loving homages to the books and the 1939 film. It's a fun way to spend an evening, and you won't be disappointed, just don't go in expecting deep, complex high fantasy. If you liked Burton's Alice, you will definitely enjoy this film (and you'll probably enjoy it more, if I may so myself).

  • A yellow brick road worth following if you are able to avoid the huge potholes, which unfortunately is not always avoidable.


    Unbalance prequel to the classic "The Wizard of Oz" has a lot to offer thanks to the directorial grace of Sam Raimi and the game performances of both Rachel Weisz and Michelle Williams. Unfortunately, their efforts are almost torpedoed thanks to a bland script that needed a lot more heart and the shocking miscasting of two of its major roles. First we should start with the look of the film, which is to my surprised tame considering the gluttony of CGI in today's films. Sam Raimi gives an old school feel to this film that manages to balance the right tone of epic nostalgia and childlike intimacy with a hint of Raimi's signature manic style of energy. It is a beautiful film to look at and it is very inviting. The character's looks all represent their personalities and the CGI animated effects for the imaginary characters match the feel and look of the film. From the childlike wonder of China Doll to the scary fanged flying baboon, Raimi manages to let them connect on a visual level with their environment and not for once that they over power the seamless look of the film. It is a beautiful, visual affair and that is all thanks to the grace that Sam Raimi and his ability to let the audiences feel their way around this beautiful world. Unfortunately, while this movie is beautiful to look at, not even Raimi's efforts are enough to cover over the fact that the movie's script is as bland as a stale cracker and some of the performances are just flat out bad. The story lacks punch and its barley passable as a narrative. The character's motives are flimsy at best and a hint of irony and complexity could have added a lot more to the film. It is only through the efforts of the movie's best actors (Rachel Weisz and Michele Williams) that give this film the fun, irony and complexity that the script does not manage to even give itself. Unfortunately, while Weisz and Williams are bring more than humanly possible to their perspective roles, both James Franco and Mila Kunis look like they rather not be there are all. The bad part is that both Franco and Kunis are so miscast that it makes you question the mentality of the casting agent who though that they were good choices for their roles. This leads me to the acting of this film, which is disjointed to say the least. James Franco has done good work in past films but here he just looks like he just does not care about his fellow actors or his performance. He looks like someone who just wants to cash a check and just cost by on what little he can do. He lacks charisma, charm and presence in the role of Oscar Diggs and the bad part is that he is the movie's lead character. Franco's attitude is well displayed on screen and it hurts the film and you end up wondering on why he was even cast in the first place. The same goes to Mila Kunis, who tries a bit harder than Franco on her performance but ends up almost as bad. She just does not have it in her to pull off the role of Theodora, who becomes the Wicked Witch of the West and her performance on screen shows that she is well aware of that. Therefore, she just gives up half way and leaves both Weisz and Williams to fend for themselves. This is not a bad thing when you think about it because both of them manage to hold the film above water while the script just falls flat, Franco continues to not care about anyone but himself and Kunis just does not bother. This leads me to the best parts of the movie, which are the performances of Rachel Weisz and Michelle Williams, who both should get overtime pay for keeping the film from self-destructing. Both actresses are probably the best we have working today and in this film, it shows. Weisz plays the oldest sister Evanora, who is the villain of the film and let me tell you, she is so much fun that its criminal and her performance is the best of the film. She gives the character of Evanora such a sassy, fun presence that you do not need Kunis to transform into the Wicked Witch of the west to get a charge, because Weisz does more with less and gets the job done. Her performance keeps the movie afloat and the viewer is more than happy to follow her, which is strange because she is the villain of the film and has more charisma and charm that the hero himself. The second best is Michelle Williams who plays Gilda, the good witch and manages to keep her character from going way too far with the sweetness and have a bit of an edge as well. Williams brings humanity to her performance and the film and gives a perfect foil to Weisz's evil Evanora. If Disney had any sense, a sequel or prequel to this film would have just both Weisz and Williams and leave out Franco and Kunis but I seriously doubt it. You should follow this yellow brick road just to see Sam Raimi give his all to this beautiful world and see on how good actors Rachel Weisz and Michelle Williams are in their roles but this road has potholes (Which are the script and the performances of James Franco and Mila Kunis) that cannot be avoided. Let's just hope you have good wheels to go around them to get to the good this film has to offer.


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