Saw IV (2007) is a English movie. Darren Lynn Bousman has directed this movie. Tobin Bell,Scott Patterson,Louis Ferreira,Costas Mandylor are the starring of this movie. It was released in 2007. Saw IV (2007) is considered one of the best Crime,Horror,Mystery,Thriller movie in India and around the world.
Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry's murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to assist the veteran Detective Hoffman in sifting through Jigsaw's latest grisly remains and piecing together the puzzle. However, when SWAT Commander Rigg is abducted and thrust into a game, the last officer untouched by Jigsaw has but ninety minutes to overcome a series of demented traps and save an old friend or face the deadly consequences.
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"If it's Halloween...It must be Saw." That's the tagline for Saw IV, the newest installment in the gory horror series of Saw. It's almost a tradition that every Halloween there's a new Saw sequel, hence the tagline. But after this messy, self-indulgent bloodbath I kind of wish that this tired series would just come to an end already. Saw IV involves a SWAT officer named Rigg (Lyriq Bent) who is kidnapped, and placed in a deadly game by the supposedly deceased Jigsaw. He is told that his also-kidnapped partners Hoffman (Costas Mandylor) and Eric Matthews (Donnie Wahlberg) are playing a game of their own, and that Rigg must resist saving them for a total of 90 minutes. While searching for his two friends, Rigg continually finds people in life-or-death situations, on the path to his final test. Rigg must choose whether he wants to help save these people (His usual reaction), or follow Jigsaw's rules and let them get out by themselves. Who will win? Who will lose? Who will lose a limb? (Or limbs?) Who will care? A new Saw movie comes out every Halloween, that means that the filmmakers only have about a year to write it, cast it, shoot it, edit it, and roll it. The first three movies all felt like, for the most part, well constructed films (Saw II not as much). You could tell that they were well thought out, and that a general effort was put forth to create a constant storyline where each movie follows the tracks of the others. Unlike horror flicks like Friday the 13th, or Nightmare on Elm Street, Saw cannot just go off on a tangent, it has to follow the footsteps of its predecessors in order to keep the Saw storyline chugging along. Saw IV is the first in the series that truly feels like a complete rush-job. Since Leigh Whannel (Writer of the first three Saws) has been replaced by Patrick Melton and Marcus Dunstan, it is obvious that these new writers of the series were pressured to write a coherent storyline so that the filmmakers could get Saw IV out by Halloween. Close to nothing in this vapid movie is well thought-out, there are plot holes all over the place, and the characters are so incredibly stupid that even their idiot actions aren't funny. It's an assault on the eyes, ears, and stomach (The squeamish will be puking, and the Saw fans will be nauseous from its stupidity). About the only thing I enjoyed about this sequel were the revelations of John Kramer/Jigsaw's past. Those are the only dramatic scenes that work, but there aren't nearly enough of them to keep Saw IV afloat. I won't spoil anything but this movie, during flashbacks, shows us Jigsaw's first trap, and it is without a doubt the best scene in the whole movie. That is the only scene where character development and story progress actually came together, and made for a tense and excellently suspenseful scene. However that's about all that I liked about Saw IV. The story makes dangerously little sense, and the characters are basically only there for a quick kill. For instance there's a scene involving a pedophilic rapist who is held at gunpoint, and forced to get into a trap where either his limbs will be torn apart, or he gets his eyes ripped out (That means no more porn watching. Yikes!). Scenes like this won't even be enjoyable for the torture porn crowd. They are so horribly edited, lit, and acted that they are reduced to absymal trash that nobody will be able to appreciate. The editing in the Saw flicks have always looked like the result of an editor on acid. There are endless flashing lights, fast zoom-ins, Pan-shots that spin around faster than Linda Blair's head, and repeated shots of screaming that should build tension...but only build laughs. I've had it up to here with Saw's editing because it gives me a headache, and when it's all over I feel like I just woke up from a nightmare where I was addicted to crack. The effort put into making Saw IV is minimal to the point that you can tell it was just made so the series can thrive on till the final film (Supposedly Saw VI). It's like the middle child, or older brother, that gets ignored while everybody is busy adoring the newborn baby. In other words the filmmakers didn't seem to care about this sequel as much. They're just stalling until they get to the big payoff with Saw V and Saw VI. And trust me Saw IV's twist ending is the epitome of both "rush job" and "stalling". I give Saw IV a 1 out of 5. No wonder Darren Lynn Bousman walked away after this one.
Who would've thought that a slasher horror film franchise, after three sequels, could STILL be one of the best things Hollywood has to boast today? Not I, that's for sure. The intricate, original, crowd pleasing, absolutely shocking, riveting, suspenseful "Saw" wowed audiences in 2004 and a very solid sequel did the same in 2005. I still remember seeing Saw and Saw II for the first time and realizing how amazing they were. Yet, I was unhappy with Saw III along with many others for reasons being: it focused more on violence than plot, there was no twist, and the ending was very unsatisfying. I know for a fact I wasn't the only person who thought the "Saw" franchise was officially over, judging by the very disappointing third film...yet, I still possessed a strange love for these films and couldn't wait to see the fourth when it hit theaters. I wasn't expecting a masterpiece at all...but I got one. "Saw IV" is not the average horror flick. If you're a Saw fan that likes the series for its blood and guts, you're going to despise it. If you're not willing to completely concentrate on the film's every little detail, you're going to despise it. If you feel like just kicking back, watching a nice gory horror film, and not spending a night analyzing the film, racking your brain until you drive yourself insane, you're going to despise this film. Quite honestly, that's why so many people hate this film: because they were expecting something completely different. Make no mistake--the Saw franchise as we know it is now going in a completely different direction. Here's where the line's drawn between Saw IV and it's predecessors. With the deaths of two main characters in Saw III, you can't possibly think of how Saw IV could really be close to a decent film. Instead of a basic storyline of traps, unlucky individuals who don't appreciate their lives, and suspenseful jump scenes, Saw IV delivers a completely different premise: it's darker, edgier, scarier, more complex, more intricately designed, and more controversial than its predecessors. In some ways, the most horrifying thing about the film is instead of watching people being tested on screen--YOU, as a viewer, are tested--challenged to see what Jigsaw sees, feel what Jigsaw feels...judge how Jigsaw judges. The traps aren't there to entertain, or to make you recoil in disgust...they're there to make you THINK. Even if you don't want to, or don't feel like it, Saw IV will whisk you away into a land of nightmare where you're forced to make the choices to what happens to the individuals on screen--you're the one in control. By the end of the movie, you'll be so shaken up you won't be able to move. For me, this one "Saw IV" HUGE points because it's actually scary, unlike II and III! It's not a body-count movie--it's a riveting, mind-boggling psychological thriller in the sense of the first film. The film feels like it balances a huge amount of plot and story and a huge amount of gore and ends up taking the cake. The film is exceptionally, brutally violent (even more so than Saw III) and some scenes are very, very disturbing--not because they are violent, but because stuff so horrifying is happening you just want to vomit your brains out. Saw IV is NOT for the faint of heart and there is some very disturbing sexual violence in one scene and another massively disturbing scene where five people in my theater got up and left...and this scene has haunted me since I came out of my theater. Though horror veterans James Wan and Leigh Whannell, the original creators of Saw, did not write Saw IV--it almost seems better. Darren Lynn Bousman's exquisite directing incorporates a dire sense of urgency throughout the whole film, making it feel like you're watching a "24" episode. I will warn you now the ending will confuse the hell out of you, which apparently is another reason for people to completely, wrongly condemn this film. Me and my friends spent a good two hours discussing the film afterwards and it made much more sense to us. Be prepared to watch this film with an open mind and be ready for some serious post-viewing discussion afterwards. The ending is very much like that of "The Prestige," and you may have a desire to watch "Saw IV" again the minute it ends. If you're a Saw fan that was disappointed with the lack of psychological horror in Saw II and Saw III---fear not. Saw IV has what you're looking for and will take you to hell and back...but hold onto your dinner. I have no idea how this film made it past the MPAA without an NC-17 rating. Along with your dinner, try to hold onto your sanity while watching the film...good luck with that. Enjoy which, is in my opinion, one of the best treats of the 2007 movie season.
Like many fans, I was crest-fallen by the ending of last year's "Saw III." I assumed that with basically every main character dead, there would be no way of continuing the series. I was wrong. "Saw IV", from director Darren Lynn Bousman ("Saw II" and "III"), and writers Patrick Melton, Marcus Dunstan and Thomas Fenton (taking over for series veteran Leigh Whannell) delivers a story that is thrilling, poignant and disturbing, taking the series in a slightly different direction in terms of tone and style, while at the same time retaining the mood that made the first three films unique. It is honestly very hard to summarize the story without revealing the many twists and turns, but here I go: Jigsaw and Amanda are dead. However, during the autopsy of Jigsaw's body, an audio tape is discovered in his stomach. Detective Hoffman (who you may remember from a brief cameo in "Saw III") hears the tape, that warns Jigsaw's games will continue... At the same time, SWAT leader Rigg (of "Saw II" and "III") has become a shell of a man. Everyone he works with and treasures as friends have been killed. He is becoming reckless... burnt out and hollow. However, something sinister is about to happen... and Rigg will have to play a part in a fiendish new game orchestrated by Jigsaw, who despite being dead, is still the master puppeteer of morals and torture. That is the basic plot line in a nutshell. However, don't be fooled. Though he is dead, Jigsaw is still very much an important part of the story. We get numerous flashbacks of him before his transformation into the brilliant madman we know from previous films, and see exactly what events triggered his desire to turn... If you think his only problem was the cancer inside, think again... There is much more to be discovered about John Kramer... And I think there is still more to the character to explore in future films... There are also other new characters, including Jigsaw's ex, and a pair of FBI agents, who complicate the movie (in a good way), by creating numerous intersecting sub-plots. But onto the real fun of the series... The traps. I, personally, loved every trap in this film. We get to witness Jigsaw's first effort (which I can only say is painful in many different ways), and we get new, disturbing and complicated set-ups... While the film might not have the "ouch" factor that past traps (paticularly "The Rack" from "III") might have had, they are certainly gory and zany enough to keep everyone entertained and revolted at the same time. In fact, I would say the audience I saw the film with (a sold-out theater at 10:25 opening night) had the best reactions I have ever seen with a film. Bravo to the filmmakers! There were really very few down-points in the film, for me. I ate-up everything that I saw, and loved just about every second of it! Also, the numerous twists and turns throughout kept me reeling. And for once, I can honestly say I did not see the (series staple) twist ending coming... A real shocker! And while I did miss some of the characters from previous installments (I wish Shawnee Smith's Amanda could have gotten more screen time), the new characters have so much promise and potential, I can forgive any complaints I might have. Here's to "Saw IV"... A frenzied and freakish sequel that has only fueled my hunger for future installments! 9 out of 10!
When I first sat down to watch "Saw IV", I was not expecting much as it seemed it would be very difficult to make a good sequel with Jigsaw dead. I am not a huge fan of the "Saw" movies, but I was very impressed with Saw IV considering it lacked the presence of Jigsaw. The film opens up with an autopsy of Jigsaw/John, where an audio cassette is discovered in his stomach, and that sets out the whole plot for the movie. Throughout the film we learn a little more about Jigsaw's history, and why he did what he did. Of course Saw IV also includes some creative, painful and very gory traps which lead to a few slow and painful deaths, which will make even the strongest moviegoers cringe. Saw IV is nothing like it's prequel, Saw III. It doesn't have a lot of random and somewhat pointless violence like Saw III, it makes you think and had a good twist which Saw III also lacked. If you go to watch Saw IV expecting an average, overly violent, torture porn horror film, I guarantee you will hate this movie. Much like the first "Saw" film, you will be pondering over the final twist for hours. Overall I thought Saw IV was a decent film, it was entertaining and had a pretty solid script which keeps the audience interested, and the usual bloody "Saw" special effects. However, I thought that it did lack in suspense towards the very end and was a little too far-fetched in some scenes. 6/10 - Entertaining, hardcore "Saw" fans should be pleased.
As a die hard Saw fan, Saw IV was one of my top must sees of 2007. Fortunately, I didn't get my hopes up, and therefore I wasn't disappointed. The movie has its fair share of flaws, don't get me wrong. However, the movie made this Saw fan happy because it maintained the spirit of the series. The movie's biggest flaw is that it is by far the most unrealistic of the series and relies too much on chance within the story. Too many events are contingent on others, which makes Jigsaw look almost clairvoyant. However, I was able to look past this and enjoy the fourth Saw film. Jigsaw (Tobin Bell) is dead. Though he is gone, he vows that his work will continue. And it appears he is true to his word, for SWAT Lt. Rigg (from Saw 2 & 3) is the latest member of the police force to be thrust into one of Jigsaw's deadly games. Meanwhile, Detective Hoffman (Costas Mandylor) is joined by a pair of FBI agents to help stop the Jigsaw killer once and for all...They'll start by looking into his past, beginning with his ex wife, Jill. The acting is pretty good. Costas Mandylor, Tobin Bell, and Scott Patterson are the standouts. Bell brings so much more to the character this time around through flashbacks as we learn more about John Kramer. Showing that he has created one of the most memorable characters of recent memory, Bell makes us almost sympathize with him, despite the acts he has committed. Mandylor is really good as Detective Hoffman, even though he has limited screen time and dialog. I liked Patterson a lot because of the toughness and reality he brought to the character. Agent Strahm is a good character and definitely one of my favorites in the series. One big surprise was Lyric Bent as Rigg. He definitely showed a lot of range in this movie. He has a future. The plot is probably the most complex, as there can be as many as 3 different subplots going on at the same time, all while the audience has questions from the first 3 movies answered. The ending also leaves a little to be desired, as it is the least impacting twist of the series (and most obvious). However, I really enjoyed the traps, which were definitely a step up from Saw 3. The random gore was kept to a minimum, but the beginning is absolutely horrifyingly gory. It also felt rushed, which means I can't wait to see the unrated DVD. Hopefully it'll have more extra footage than the others. Saw 4 has the weakest script of the series, but it's still better than I expected. At this point, it appears as if Darren Bousman is going through the motions, and that's what keeps the series spirit alive. As long as Bousman, Wan, or Whannell continue to be involved, the spirit should live on. I also have to give props to the editor for the smooth and catchy transitions, not to mention the production design is top notch. That and the lighting provide at least some horror realism, as the plot does border on absurd at times. The sound is better than ever, with the classic 'Hello, Zepp' tune that has become one of the most recognizable tracks in movie history making its dramatic appearance in the climax of the film. The ending also leaves us wanting more, so I'm expecting Saw 5 next Halloween. 8/10 --spy