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So-gong-nyeo (2017)

So-gong-nyeo (2017)

GENRESComedy,Drama,Romance
LANGKorean
ACTOR
EsomJae-hong AhnJae-Hyun ChoiChoi Deok-moon
DIRECTOR
Go-Woon Jeon

SYNOPSICS

So-gong-nyeo (2017) is a Korean movie. Go-Woon Jeon has directed this movie. Esom,Jae-hong Ahn,Jae-Hyun Choi,Choi Deok-moon are the starring of this movie. It was released in 2017. So-gong-nyeo (2017) is considered one of the best Comedy,Drama,Romance movie in India and around the world.

This film is about a young woman who suffered a deep depression, the only way to deal with it is binge drinking and chain smoking. But when the Korean government raised the prices of cigarettes so high that she simply couldn't afford the price hikes, she decided to give up her house and used the money to keep buying cigarettes and liquor. By losing her house, she thought she could ask her friends one by one to sleep in their own rooms in turns. But her wishful thinking would be a tough test between her and her friends. When reality became a daily difficulty to deal with regularly, there might no friendship can survive or, vice versa?

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So-gong-nyeo (2017) Reviews

  • Well observed and beautiful

    roland-1692019-03-23

    I think this film can be compared with 'Roma'. Its not so much the telling of a story - but there is a story - as a well crafted observation of life. Through the eyes of the main protagonist, Mi-So, we see how a group of friends from University, have both moved on it their lives but yet are imprisoned in and by their new existences. Mi-So makes the decision to give up her tiny apartment and sofa surf at the homes of each her friends and so giving her and us a chance to see into her friends' lives. Each friend is trapped in some way by their life's circumstance - marriages, separations, in-laws, dull jobs, moving back home to live with parents etc. They have all moved on but none have found freedom or real fulfillment. In the end even Mi-So's boyfriend gives up on his dream of being a comic book creator and takes a job off in the Middle East. Mi-So herself either chooses not to move on or cannot and remains somehow true to terms of her own existence. This film is moving, compassionate and joy to watch. If you loved Roma I think you will love this. If you loved Tokyo Story you will love this. A classic

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  • charmingly moving

    DianeLoren2018-11-04

    A story so relevant to our generation and the times we live in. It reflects the struggles of our society with prices rising up in all major cities, and young people struggling to live their dreams. It makes you ask this question, what are you willing to give up? In Miso's case she gives up her home to have the things she love most, whiskey and cigarettes, but as we see throughout the film, everyone has to give up something in their lives. Absolutely brilliant, funny, performances are compelling. A wonderful film by director Jeon Go-woon.

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  • Quietly Rebellious and Openly Heartbreaking

    thisisforspam5792019-04-07

    A beautiful and heartbreaking exploration of what I can only recognise as post-university life: Miso, struggling to pay the rising monthly cost of rent, medicine, food, cigarettes and whisky, tries to crash with old friends while she finds somewhere cheaper. Once bandmates, these friends have gone their own ways. Some want nothing to do with her, others a little too much, but what unites these re-encounters is Miso's open, unashamed charm and the devastating effect this has on her friends. Friends who, while only a little way up the road of compromises that seem to make up adult life, can't bear to be faced with someone who is not yet compromised. Miso will pay for this. But my conclusion was not to judge her refusal to change, or either to condemn the so-called "friends" unable to take her seriously, but to lament the overwhelming misery of it all. The city is too expensive. It demands not compromise but servitude from those like Miso who lack support. She would have to give up all her joy to meet its standards. And this was the choice of her friends, and worse, a choice taken as necessity. (Meaning they fail to respect her choice to do otherwise). The film is well paced, subtle and timed. The cinematography was soft, deep and understated: teetering between aesthetic/attractive and pragmatic/unconscious successfully. Similarly, the editing has style but also purpose, never distracting from the world of the film. It's difficult to say just how impressed I am by Microcosm. Just that I can only begin to wonder why such a great film flew so low, and that I start getting annoyed when I do.

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