SYNOPSICS
The Asphyx (1972) is a English movie. Peter Newbrook has directed this movie. Robert Powell,Robert Stephens,Jane Lapotaire,Alex Scott are the starring of this movie. It was released in 1972. The Asphyx (1972) is considered one of the best Horror,Sci-Fi movie in India and around the world.
Hugo is a brilliant mid-Victorian scientist, loved and respected by his family and friends, admired by his colleagues. But he is a man quickly becoming obsessed with a curious and frightening question... what is the mysterious apparition found in the photographs of his dying subjects? Hugo brings to a family boating party his newest invention-a motion picture camera. The party quickly turns into a disaster as he captures on film the tragic drowning of his wife and son. When the film is replayed later, the same ghostlike presence appears. It flies towards his son, and vanishes inside his dying body. Has Hugo discovered The Asphyx, the spirit of the dead described in Greek mythology? A spirit which lives in constant agony, not finding rest until it takes possession of a human body? Could the spirit, if captured, become the key to immortality? Hugo is compelled to find the answers. It is a ghoulish search, with eternally haunting results.
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The Asphyx (1972) Reviews
Intriguing film about a scientific discovers an aura which can be attracted at the moment of dying and trapped , conferring immortality
Nineteenth century , England , a mad doctor is studying death when he discovers the Asphyx , an obscure supernatural power , it is the key to immortality on the subject . Nice and enjoyable terror fim made in Hammer or Amicus style with a distinguished cast , creepy scenes and fine interpretation . This eerie movie deals with a man : Robert Stephens who attempts to trap the spirit of death but things go awry when he practices his experlments with his descendants : Arliss, Jane Lapotaire and adopted son , Robert Powell . Scary picture with a promising notion in which a scientist discovers an aura that surrounds persons just before they die ; however , his irresponsability in unleashing the rare entity on the world brings a swarm of unforeseen consequences , ominous distresses , irreversible problems and grisly murders . There is an interesting as well as riveting glimpse into Victorian psychological research with engaging theories, though does take some incredible happenings , even by the the standards of this peculiar genre . Strong cast formed by good Brit actors such as Robert Stephens giving a theatrical delivery as a doctor delves deeper into his research finding extraordinary surprises , Jane Lapotaire as his daughter , Fiona Walker and Robert Powell . It displays a weird but adequate score by Bill McGuffie . As well as an attractive production design by the great designer John Stoll . Appropriate and evocative cinematography by the prestigious Freddie Young who has a notorious career as cameraman such as Salomon and Queen Sabah, Ryan' s daughter, Lawrence Arabia , Doctor Zhivago , Lord Jim . This high-class terror /SciFi motion picture was compellingly directed by Peter Newbrook , being his only film . Newbrook had an important career in the camera and electric department , as a cinematographer and as a producer , including titles as Crucible of terror, Saturday night out , Press for time , That kind of girl, The green scarf , Green Helmet , 4 horsemen of Apocalypse , Anastasia , Farewell to arms , Deep blue sea , The Sandwich man , Vampires , among others . Rating : 7/10 , above average. Well worth seeing for the terror buffs . Essential and indispensable watching .
Great Little Movie!
This is one of those rare small movies which has a great plot, decent special effects (for the time), and good acting. For the horror/sci-fi fan who does not require gore and shock value to enjoy a movie, this is a real treat. There are some minor flaws if you look closely, but they do not detract from the film as a whole. It is the atmosphere of the film which raises it above other works of the same era. I wish they could remake it with modern computer graphics and retain the same quaint eeriness, but I don't think modern audiences care much about atmosphere. Out of ten, I would give it a solid eight.
Classic 70's horror
When The Asphyx was released in 1973, The Exorcist was about to change the landscape of horror forever, moving the genre away from subtlety and into the realm of graphic effects and makeup. That's one of the reasons why The Asphyx was a box-office flop, fondly remembered by a select few who never forgot this quirky little "thinking man's horror film" (as Variety called it), in which a 19th-century British philanthropist and amateur psychic researcher embarks on a fateful quest for immortality. Sir Hugo Cunningham (nicely played by Robert Stephens) has a morbid hobby of taking photographs of dying people, and this leads to his discovery of a nebulous spirit of the dead--known in mythology as the Asphyx--that appears (only visible on photographic plates) at the moment of death. Sir Hugo becomes obsessed with capturing his own Asphyx and thus ensuring that he cannot die, but of course this is an ill-fated ambition that puts Sir Hugo on a ruinous path to destruction and death. With its talky, literate script, well-drawn characters, and fascinating themes, The Asphyx bears closer resemblance to the Hammer horror films that became passé in the early and mid-1970s. The chills are subtle but effective under the direction of Peter Newbrook, and the widescreen cinematography by Freddie Young (whose credits include Lawrence of Arabia) adds polish and elegance to the proceedings. Filled with foreboding atmosphere, this is an intelligently conceived horror film that relies more on story than shocks, although the screeching Asphyx is eerily haunting. Kudos to Allday Entertainment for producing this DVD--The Asphyx has been rescued from obscurity, painstakingly remastered in its original 2.35:1 aspect ratio for discerning connoisseurs of high-class horror.
An original and intriguing slice of period horror!
Avoiding death and what happens when we die have been recurring themes throughout all art forms since the dawning of time. Despite the fact that there are a lot of films that handle similar themes, The Asphyx stands out for it's original and intriguing exaction. The film hasn't gained itself the best reputation in the three decades since its release, and it was apparently ignored upon its introduction to the general public. This isn't surprising - The Asphyx takes elements from supernatural horror and there's a little bit of sci-fi involved, but selling this film couldn't have been easy as there's no way to pigeon hole it. The plot focuses on Hugo Cunningham - a man who discovers that when we die, what's called an 'Asphyx' appears. After conducting a few experiments, Hugo presupposes that if one were to capture this Asphyx, then that person would never be able to die. He then proceeds to test the procedure on himself, and after becoming immortal decides he wants his young assistant and daughter; who want to get married, to become immortal also The Asphyx is a British film set in Victorian times, and director Peter Newbrook does an excellent job of producing the period setting. The film was obviously made on a budget, and as such it doesn't exactly compete with some of the bigger budget films set around the same time; but still the director gets the point across. The special effects are a little hokey, but they work really well. The main standout where the effects are concerned are with the 'Asphyx' itself, and personally I'd much rather the effects shown here than the CGI rubbish we have nowadays. The acting is decent, with Robert Stephens being the main standout in the lead role, and receiving good support from Robert Powell. Jane Lapotaire is something of a weak link in my opinion as she's a little flat, but it's not too important. The film has a great premise, but in order for a premise to work, it needs a good plot too and this film certainly has that. The film is not predictable for most of its duration, and the drama between the central characters is always interesting enough to hold the audience's attention. The ending is both haunting and memorable, and overall; it has to be said that The Asphyx is a film that deserves more wide recognition!
This is what current horror has been missing for many years
I'm a big fan of H.P. Lovecraft and this story has all the classic elements. This is classic horror set in Edwardian England. An amazing discovery allows the characters a chance at immortality. But as with all delving into the occult this one is fraught with danger. Soon accidental death and betrayal occurs leaving one hero horribly cursed. As mention above, this is not a cheap flick that uses stupid ploys like nudity or excessive gore. While not for little kids, I'd think it would be OK for 12 year olds and up. For a 1973 film, well before ILM, the effects are good. I give this film a 10, mostly for originality and story. It is out on DVD, though maybe only attainable now in used format.