Thirteen Days (2000) is a English,Russian,Spanish,Romanian movie. Roger Donaldson has directed this movie. Kevin Costner,Bruce Greenwood,Shawn Driscoll,Drake Cook are the starring of this movie. It was released in 2000. Thirteen Days (2000) is considered one of the best Drama,History,Thriller movie in India and around the world.
In October, 1962, U-2 surveillance photos reveal that the Soviet Union is in the process of placing nuclear weapons in Cuba. These weapons have the capability of wiping out most of the Eastern and Southern United States in minutes if they become operational. President John F. Kennedy and his advisors must come up with a plan of action against the Soviets. Kennedy is determined to show that he is strong enough to stand up to the threat, and the Pentagon advises U.S. military strikes against Cuba--which could lead the way to another U.S. invasion of the island. However, Kennedy is reluctant to follow through, because a U.S. invasion could cause the Soviets to retaliate in Europe. A nuclear showdown appears to be almost inevitable. Can it be prevented?
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The fact of JFK's assassination, and especially the highly mysterious circumstances surrounding it, has resulted in a very distinct historical niche being carved around him. However, the majority of written examinations have concerned his assassination. The man's presidency, short though it was, was fraught with fascinating events and, both in literature and in film, they remain frustratingly under-examined. Which is why "Thirteen Days" is such a treat. What the film essentially does is offer us a clearly partly-fictionalised but fairly true to the events account of the thirteen days of the Cuban Missile Crisis in 1962. It's a fascinating close-up on a fascinating man, who might have been a truly great president if he had gotten a proper chance. Of course, the filmic portrayal of JFK may be just a tad overly sympathetic, and the treatment of the military a tad overly harsh, and the importance of Kenny O'Donnell, played by Kevin Costner, is probably exaggerated, but these are minor quibbles. What this film really does is show us just how complicated and multi-faceted was the problem of Russian nuclear missiles being installed in Cuba. Not only did the president have to face the dim and distant threat of a faceless Russian bureaucracy, he had to deal with the multiple and conflicting options constantly being advanced to him, the dangers posed by certain special interests in military and intelligence and the popular opinion of the American people. The repercussions of any number of different courses of action were almost unthinkable. Tilting the hand seemingly in the American favour in one place, say in Cuba, would destabilise another danger zone, such as Berlin. Despite the fact that we all know how the events played out in the end, it can't be denied that this film keeps adding to the tension constantly, occasionally letting off a little and then piling on a whole lot more. It's a wonderful portrayal. At its core, however, the film is an intelligent study of the ultimately paralysing effects of power, and the stark horror of mutual destruction as made possible by the harnessing of atomic power. The discovery of nuclear fission reactions has forever changed the face of warfare, because there now exists an ultimate solution so terrible it is almost beyond contemplation. In the comparatively safer times in which we now live, it is easy to forget how possible, perhaps even likely, the threat of nuclear war. America was then, and remains now, the most powerful nation on the planet, and yet a single wrong move could have ended all that, and at the cost of millions of innocent lives. Bearing the weight of decisions which could cost so much must have been a horrible burden to Kennedy, and, if nothing else, we should thank our lucky stars that he didn't buckle under the multifarious pressures placed on him. This film is a tribute to reason over hotheadedness, and peace over war. We should not forget the lessons that time has to impart, and if this represents a way to remember, then everyone ought to watch it.
I watched this movie today with a number of students from my International Politics class, and from the standpoint of a politics professor, this film was absolutely extraordinary. This is a movie about the development of foreign policy in a crisis; it spells out with brilliant detail the decision-making process of JFK's inner circle, the tension between the Executive Office of the President and the Departments of State and Defense, and the attempts by the Military Industrial Complex (namely the Joint Chiefs) to undermine the diplomatic approaches favored by the president. It highlights the conflict between military standard operating procedures ("rules of engagement") and the better judgment/common sense of right-thinking human beings. It hints at conspiracies to (later) depose and otherwise get rid of both Kennedy and Khruschev from within for what turned out to be a very unpopular resolution with the hardliners on both sides. I especially like that the movie acknowledged the humanity of the individual decision-makers without getting too Capra-esquire or preachy. I can see why this film hasn't been a great commercial success. It is not your standard big studio fare. It's quite cerebral, and although it has some exciting pre-conflict scenes, it's not a "war film". (It reminds me a bit of "Three Kings" in that regard- both films were, in my opinion, mis-marketed. They both seemed to target the younger male action crowd, when both movies are really made for a more intellectual audience.) I liked how the Soviets were not cartoonishly vilified, as is common in a lot of Cold War era films. They were shown to be somewhat calculating and strategic, but not irrational or more importantly, inhuman. In fact, one of the most fascinating parts of the film is the revelation that both sides lack information as to the other side's true intentions. It was this uncertainty that back in October 1962, could have led to the end of civilization as we know it. The acting was solid (Steven Culp was very, very good as Robert Kennedy- so good, in fact, that I'm afraid he'll have a hard time getting cast in the future. There was audible gasp in the audience when he came on the screen and WAS Bobby). Coaster's accent was actually annoying (as an earlier reviewer noted), but it's forgivable in light of the moving, somewhat understated performance he turns in. It is the directing that takes the cake, however. From the moment the chain of events was set in motion, the tension does NOT let up. It actually feels like you are back in 1962 living through the events of those two weeks- honestly, there was nary a moment to relax until the resolution was wrought. I recommend this film especially strongly to high school and college age students who are too young to have any Cold War memory, as well as to those who lived through the era and may have forgotten what it felt like to come this close.
In 1962, the world stood on the brink of World War III for "Thirteen Days," a 2000 film starring Kevin Costner, Bruce Greenwood, Steven Culp and Dylan Baker, with direction by Roger Donaldson. The story concerns the "Cuban Missile Crisis," when the U.S. discovered that the Soviets had placed missiles aimed at the U.S. in Cuba. As someone who remembers the situation well, watching this was a profound experience in more ways than one. A good deal of dialogue was taken from actual Presidential transcripts, which made watching it even more impressive. Looking at it from today's eyes, "Thirteen Days" is a knockout. Donaldson focuses the film right where it should be - in the White House and in conference rooms, giving us only the subplot of Kenny O'Donnell's family life. For those posters who commented that O'Donnell was perhaps not a real person, yes, he was. It's impossible for me to believe that with a film that goes into so much detail and strove to be so factual, someone thought there was a made-up character. Try Google next time. Ken O'Donnell headed up Kennedy's presidential campaign and was appointed his Special Assistant when Kennedy won the White House. He was the most powerful of the President's advisers. Several things become clear about the goings-on at the White House in 1962: None of the military leaders thought the Kennedy administration belonged in the White House; if it had been up to the military leaders, the situation would have caused World War III; JFK turned himself into a pretzel in order to pursue a diplomatic solution to the potential conflict. Though discouraged almost at every turn, JFK still would not allow the shooting to begin, pushing instead for an embargo against Cuba. There is plenty of tension and excitement in this film. One of the best scenes is Commander Eckerd (Christopher Lawford) and his team low-flying over Cuba taking photos, and a U-2 pilot trying to avoid missiles chasing him. But most of the tension and excitement takes place in the meetings as the President and RFK struggle for answers and play for time. The mix is therefore ideal: drama, some aerial excitement, and a little humor as Adlai Stevenson gets the better of the Russians in an OAS meeting. There's also a look at the reaction of the country - also very accurate. Yes, people piled into church, cleared the grocery shelves of everything, and stocked fallout shelters. We all watched the President on television. In fact, as he talked, my mother thought he was about to declare war. It was a terrifying time. Kenny O'Donnell's role in all of this may have been somewhat exaggerated to make it a palatable role for Kevin Costner. Costner does okay in the part. Boston accents are very difficult to do without them sounding put on. It's very difficult to do accents in general and make them organic to the character. A few have succeeded: Anne Bancroft in "The Miracle Worker," Paul Newman in "Somebody Up There Likes Me," little Natalie Wood in "Tomorrow is Forever," Travolta in "Saturday Night Fever," and of course there are others. Jane Seymour and Joan Collins can easily pull off being Americans. All British actors can do a southern accent, since the southern accent started off as a British accent. Costner lays it on too thick and it's a distraction. But he certainly isn't bad in the role. The casting people merely wanted to suggest JFK and RFK. In Steven Culp, they found a young actor with similar features to RFK. He does an effective job, given that it's tough going to portray such a famous person. The most successful in the film is Bruce Greenwood as JFK, who tries to keep the accent from overpowering the dialogue. In the President's television speech, I'm sure he imitated JFK's every single inflection and pause, and it's perfect. His JFK is a listener, very dependent on his brother's advice, and one who takes the burdens of the country on his shoulders like a cross. One of the posters here mentioned something to the effect that "we are led to believe that JFK leaned heavily on his advisors" as if this is a negative. Of course he did. Of course any President does or should. The final decisions belonged to him, and he had to be sure of all of the ramifications. Only an idiot doesn't hear every single opinion of value before he decides to launch World War III. The camaraderie between RFK, JFK, and O'Donnell is as unmistakable as their arguments and frustrations. Thirteen months after the Cuban Missile Crisis, JFK would be dead and O'Donnell would be riding behind him in the Secret Service Car. After a particularly tough meeting with the Joint Chiefs of Staff, O'Donnell insists that JFK sit for a minute, and JFK finally does. Worn out and not sleeping well, he laments about being President. "I just thought there would be more good days." In the end, we - and he - would have settled for just MORE days.
Shown through the eyes of presidential aide Kenneth P. O'Donnell (Kevin Costner), we see the inner workings of President John F. Kennedy (Bruce Greenwood) and his closest advisors as they try and find the best way to end a potentially devastating showdown with the U.S.S.R. In October of 1962, the U.S., during a regular mission photographing Cuba, spotted a missile buildup by the Russians. The missiles were powerful enough to kill 80 million Americans with only 5 minutes of warning time. President Kennedy had to decide quickly what action to take. With his trusted aide Kenny O'Donnell and his brother Attorney General Robert F. Kennedy (Steven Culp), and others such as Robert McNamara, Adlai Stevenson, McGeorge Bundy, Dean Acheson, Dean Rusk, and many more, Kennedy needed to figure out the best course of action. If he allowed the Russians to aim these missiles at the U.S., the United States would be placed in a potentially deadly situation. If Kennedy allowed the military to attack the missiles and destroy them, what would Russia do as a response? If he waited too long, would Russia simply attack the U.S.? If he backed down and agreed to take down U.S. missiles in Turkey, would the U.S. then look weak to the rest of the world? For such a young President, Kennedy had a lot of tough decisions to make, in a short amount of time, with the world hanging in the balance. I wasn't alive during the Cuban Missile Crisis as it occurred, so seeing Thirteen Days was like having a history lesson at the same time as having great entertainment. Even though I knew that we didn't end up in World War III, there were a lot of things I didn't know. I won't go into any of the specifics, but I never fully understood how close we came to destroying the planet. The tensions of the time were brought out successfully by director Roger Donaldson. You could see and feel the sweat on all the major players as each minute ticked by. Bruce Greenwood did a tremendous job as the young President Kennedy, showing how Kennedy was strong enough to stand by his morals and values, even as his most trusted advisors were urging him to go to war. At the same time, Greenwood was able to portray Kennedy as someone who needed help and was able to turn to his brother for guidance. Kevin Costner did a good job as Kennedy's presidential aide. I especially liked his boston accent. Costner was a strong personality that worked well with Greenwood and Steven Culp. I believed that the three of them were friends for 15 years and that they trusted each other with their own lives. Other acting standouts to me were Dylan Baker as Robert McNamara and Michael Fairman as Adlai Stevenson. Even running at almost two and a half hours, I was always at the edge of my seat, wondering what was going to happen next. Like I said before, I wasn't even born yet, nor was it something I ever learned about in school, so I had no idea what was going to happen. It was nice being able to get deep inside the mind of these important people during this crucial time. Of course, I have no idea if what was said during these meetings was actually said in real life, but I'd like to believe that at least the outcomes of the meetings were true. I'm a big fan of these kinds of dramatic films based on real life events. While being entertaining, they also have the ability to teach you about history. Reading about these situations in books isn't nearly as enjoyable as being able to watch them on screen. I think screenwriter David Self did a great job of bringing these real life events to life on the big screen. He made it historical but didn't bore you with too much talk or information. Along with Donaldson, he gave you what you needed to know, and let the actors bring you into the action. So overall, I thought Thirteen Days was a great film. Well acted, well directed, well written, nice musical score and very entertaining throughout. And if you happen to learn something along the way like I did, then even better.
The 1962 Cuban Missile Crisis seen through the eyes of President assistant Kenny O'Donnell (Kevin Costner who hands perfectly the role )as trusted confidante and with significance importance of Robert Kennedy ( Steven Culp who bears remarkable resemblance )and of course President John F . Kennedy ( a solid Bruce Greenwood ) . This interesting film widely develops the Cuban Missile Crisis that was a confrontation between the Soviet Union, Cuba and the United States in October 1962, during the Cold War. The picture is packed with suspense , drama , historical deeds and is quite entertaining . It's correctly based on facts and the few sacrifices of accuracy are realized in the sense of of dramatic license . The motion picture is very well directed by Roger Donaldson who formerly worked with Costner in another suspenseful movie and also plenty of political intrigue titled ¨No way out (87) ¨ . Adding more details over the widely depicted on the movie the events happened of the following manner : In September 1962, the Cuban and Soviet governments began to surreptitiously build bases in Cuba for a number of medium- and intermediate-range ballistic nuclear missiles (MRBMs and IRBMs) with the ability to strike most of the continental United States. This action was subsequent to the 1958 deployment of Thor IRBMs in the UK and Jupiter IRBMs to Italy and Turkey in 1961; more than 100 U.S.-built missiles having the capability to strike Moscow with nuclear warheads. On October 14, 1962, a United States U-2 photo-reconnaissance plane captured photographic proof of Soviet missile bases under construction in Cuba.The ensuing crisis ranks with the Berlin Blockade as one of the major confrontations of the Cold War and is generally regarded as the moment in which the Cold War came closest to turning into a nuclear conflict .The US President ( Bruce Greenwood) , Attorney General Robert Kennedy (Steven Culp ),State Secretary Robert McNamara ( Dylan Baker ) and his military staff ( Bill Smitrovich , Ed Lauter , James Karen , Len Cariou) and general Curtis LeMay (Kevin Conway ) considered attacking Cuba via air and sea and settled on a "quarantine" of Cuba. The U.S. announced that it would not permit offensive weapons to be delivered to Cuba and demanded that the Soviets dismantle the missile bases already under construction or completed in Cuba and remove all offensive weapons. The Kennedy administration held a slim hope that the Kremlin would agree to their demands, and expected a military confrontation. On the Soviet end, Nikita Khrushchev wrote Kennedy that his quarantine of "navigation in international waters and air space to constitute an act of aggression propelling humankind into the abyss of a world nuclear-missile war." Fidel Castro encouraged Khrushchev to launch a preemptive first-strike nuclear attack on the U.S. The Soviets publicly balked at the U.S. demands, but in secret back-channel communications initiated a proposal to resolve the crisis. The confrontation ended on October 28, 1962 when President John F. Kennedy and United Nations Secretary-General U Thant reached an agreement with Soviet Premier Nikita Khrushchev to dismantle the offensive weapons and return them to the Soviet Union, subject to United Nations verification, in exchange for an agreement by the United States to never invade Cuba. The Soviets removed the missile systems and their support equipment, loading them onto eight Soviet ships from November 5–9. A month later, on December 5 and 6, the Soviet IL-28 bombers were loaded onto three Soviet ships and shipped back to Russia. The quarantine was formally ended previously on November 20, 1962. As a secret part of the agreement, all US-built Thor and Jupiter IRBMs deployed in Europe were deactivated by September 1963.The Cuban Missile Crisis spurred the creation of the Hotline Agreement and the Moscow-Washington hot line, a direct communications link between Moscow and Washington .