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Whore (1991)

Whore (1991)

GENRESDrama
LANGEnglish
ACTOR
Theresa RussellBenjamin MoutonAntonio FargasElizabeth Morehead
DIRECTOR
Ken Russell

SYNOPSICS

Whore (1991) is a English movie. Ken Russell has directed this movie. Theresa Russell,Benjamin Mouton,Antonio Fargas,Elizabeth Morehead are the starring of this movie. It was released in 1991. Whore (1991) is considered one of the best Drama movie in India and around the world.

The prostitute Liz works on the streets of Los Angeles. She recalls her life in flashback, when she marries an alcoholic man. She leaves him with their son. Then she works as waitress in a diner until the day a man introduces her to prostitution. Later she is raped by at least five men and the pimp Blake "protects" her. Liz tries to escape from Blake and befriends the prostitute Katie; however Blake chases her. On the streets, she befriends the homeless Rasta (Antonio Fargas) that helps her when she needs.

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Whore (1991) Reviews

  • The Weird and Wild World of Ken Russell: An interesting retort to "Pretty Woman".

    Captain_Couth2004-07-06

    Whore (1991) was Ken Russell's take upon the life of a prostitute. You can call this the real "Pretty Woman". I enjoyed this movie very much because of the gritty realism Mr. Russell uses in this one. Theresa Russell is excellent as the "whore" who gives us an insider's view of the world of low-class prostitution. It's no the glamorous life as most of the women who fall prey to "the oldest profession". Women so desperate to make a living turn to an easy way of making quick cash. Many of them are strung out on drugs, milked for every cent by their pimps or wind up in jail. Too bad this movie is all but forgotten. Whilst movies like "Pretty Woman" show us the bright side of prostitution, "Whore" shows us it's true dark self. I found this movie to be very interesting. It took a lot of courage for Mr. Russell to make such an non-commercial film. If it were available on D.V.D. it would be a part of my collection. Maybe one day it'll get it's due. Followed by an unrelated sequel. Highly recommended. Check out Ken Russell's bit role as the high class waiter.

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  • A Fine Line between Failure and Success

    VerhoHo1999-03-28

    "Whore" is , appropriately, a cartoonish response to "Pretty Woman". The cartoonish, satirical bent the film has (in the face of its horrific situations) is exactly what makes it so brilliant. What was so awful about "Pretty Woman" was the commodification of prostitution as something glamorous, fulfilling and rewarding; pablum to be swallowed by American masses. "Whore"'s success depends less on the performances and direction and more on the viewer's willingness to think. The ideology that Ken Russell has placed on the material is unmistakable and renders everything else about the film meaningless. It really comes down to the viewer--If you are intelligent enough as a viewer to read the subtext, you either agree with it or you don't. Personally, I love everything about it, from Teresa Russell's sarcastic, bombastic, career-wrecking performance to the simple joy of seeing Antonio Fargas on screen again, "Whore" is a great, intelligent film worth repeated viewings. The real tragedy is that this will be Ken Russell's last great film. He has lived long enough to see his wonderful style get railroaded into soft-core porn and made-for-cable sci-fi. The world would be a better place if he had been bestowed with the same luck as Paul Verhoeven.

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  • "A girl's gotta do what a girl's gotta do..."

    moonspinner552006-08-08

    Ken Russell's "Whore" begins with an amusing shot of cars driving through a tunnel (R-rated Freudianism?) coupled with a Jamaican rap on the soundtrack about doing the "boom boom" with girls. Russell, who directed the film and co-adapted the screenplay from David Hines' play, is highly adept at quirky bits of business--blending hammy, outré comedy with blunt-force dramatics--but with "Whore", his mix of in-your-face, sexually-comedic bits and pieces are not always compatible bedmates next to the violence or the introspective moments. Theresa Russell plays Liz, a streetwise hooker full of bravado; often addressing the camera directly, Theresa speaks with an odd swagger in her voice (as if she's channeling someone standing beside her). Striking amazing poses--like Lolita all grown up--Theresa Russell has some choice moments (usually when she's not speaking, as with a silent come-on to a guy who turns out to be gay), but she is not a vulgar, cartoony actress and is too refined to be slutty. Her performance continually improves, however it isn't in the actress's nature to talk tough like a lady truck-driver. There are well-wrought sequences (such as when Russell's friendship with a possible lesbian is interrupted by a vicious pimp, an incredible moment done without principle dialogue), but the film isn't very sexy. Those looking for a raucous good time will be disappointed (can you imagine how that inelegant title looked on the movie theater marquees?), and those hoping for a serious take on the prostitution business probably won't stick around past the first hour. Many scenes simply fall flat, yet "Whore" is a mixed-bag; it's not a deep-thinker, it's not exceptionally revealing, but it leaves an impression behind, along with some giggles, some embarrassment, and some sadness. ** from ****

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  • The Tough Life of a Whore

    claudio_carvalho2015-01-23

    The prostitute Liz (Theresa Russell) works on the streets of Los Angeles. She recalls her life in flashback, when she marries an alcoholic man. She leaves him with their son. Then she works as waitress in a diner until the day a man introduces her to prostitution. Later she is raped by at least five men and the pimp Blake (Benjamin Mouton) "protects" her. Liz tries to escape from Blake and befriends the prostitute Katie (Elizabeth Morehead); however Blake chases her. On the streets, she befriends the homeless Rasta (Antonio Fargas) that helps her when she needs. "Whore" is a docudrama by Ken Russell that shows the tough life of a whore. The hot Theresa Russell is a perfect choice for the role of Liz, talking to the camera to explain her life and feelings and analyzing the type of men that is client of a whore. I saw this movie for the first time in the 90's and in 2015 it has not aged. My vote is seven. Title (Brazil): "A Prostituta" ("The Prostitute")

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  • "Whore" is the real-deal (in the unrated-cut)

    myboigie2005-01-22

    The comments on this film are pretty amusing, I just hope Mr. Russell has seen a few of them, as it would probably tickle him to-no-end. Come on, people, this is the real deal here, and these are a lot of the realities of prostitution. It isn't pretty, is it? How much value is attached to the life of a prostitute? Ask the King County sheriff's Department and the Seattle Police, they allowed the Green River killer to run-riot for 20+ years. I consider this a pretty pure film for Ken Russell, and a pretty compassionate statement FOR the victims of prostitution. Legalization is (wisely) advocated, and we even get a few of the arguments (from the pimp himself) what some of the drawbacks would be. Prostitution is illegal for means of social control, period. Watch this film, and you will understand that Mr. Russell is a GENUINE Christian with a heart--after all, Jesus consorted with such people, didn't he? They need our help and our compassion, which is the main-theme of the film. Of course, Ken Russell also enjoys the inherent bawdiness of the material-at-hand, or he wouldn't be Ken Russell! The dialog is a dream, and David Mamet's plays/screenplays would be a good analogy. It's also clear that a lot of the dialog came from real prostitutes and their stories. While some have commented on the low-budget look of the film, I don't think that this is accurate. It looks pretty slick cinematography-wise, and the acting by Theresa Russell (no-relation to the writer/director) is astonishing. She is easily one of the greatest actresses of her generation. She's also incredibly powerful in projecting her sexuality as an actor, which is pretty rare.Only Kathleen Turner stands as her equal. So, if you enjoyed "Crimes of Passion" nearly as much as I did (a masterpiece), this will be a wonderful companion-film for you, dear viewers. You either love or hate Ken Russell, and he has always been my favorite form of a high-stress personality endurance-test. Most tend to fail this test, but it takes all-kinds, doesn't it? Once it hits DVD, it will finally be able to be fully-assessed. That it shines so brightly on my (unrated)VHS-copy is testament to its brilliance, and the genius of Ken Russell. A message to be heeded on the "world's oldest-profession." Puritans, take-heed. It shouldn't be a problem to say it. Give this man money to make another film!

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